FЯ
Full Member
Posts • 8,248
Likes • 9,236
May 2013
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Top pickup of 2014, by FЯ on Dec 30, 2014 12:08:38 GMT 1, That's as big a lie as Norwegians hyping the Stein release on their forums. Flip what, not sold any artwork for over a year. Trolly troll troll.
blocky blocked blocked.
That's as big a lie as Norwegians hyping the Stein release on their forums. Flip what, not sold any artwork for over a year. Trolly troll troll. blocky blocked blocked.
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Sweetcorn
New Member
Posts • 984
Likes • 487
January 2013
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Top pickup of 2014, by Sweetcorn on Dec 30, 2014 12:10:02 GMT 1, Just don't see it, ripped up comics and GCSE Painting, proportions and colours are terrible. She's got webbed hands for christs sake! Yeah so you have said before. dont care. Bore off shrimpy.
It is truly awful though so they do have a point !
Just don't see it, ripped up comics and GCSE Painting, proportions and colours are terrible. She's got webbed hands for christs sake! Yeah so you have said before. dont care. Bore off shrimpy.
It is truly awful though so they do have a point !
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FЯ
Full Member
Posts • 8,248
Likes • 9,236
May 2013
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Top pickup of 2014, by FЯ on Dec 30, 2014 12:13:43 GMT 1, blocky block blocked.
blocky block blocked.
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solidity
New Member
Posts • 93
Likes • 133
December 2014
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Top pickup of 2014, by solidity on Dec 30, 2014 13:48:26 GMT 1, This year's highlight for me WTF !!! vhils + one of my favourite music group + written in french ... Where did you get it ? I'm in love whit it !!!
This year's highlight for me WTF !!! vhils + one of my favourite music group + written in french ... Where did you get it ? I'm in love whit it !!!
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natstan
Junior Member
Posts • 1,806
Likes • 1,127
March 2013
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Top pickup of 2014, by natstan on Dec 30, 2014 13:54:58 GMT 1, Every artist's got his or her share of hits and misses, fairly speaking. Chevrier has done some really beautiful compositions as well. She can probably go a long(er) way if she can be more 'selective' in her creations or reduce her output a little. May also be a good idea to start exploring more on her core theme and individual style, than just revolving around women and comics all the time. Am really looking forward to another of that moment when I saw her works put up by coa for the first time on this forum, than her just rehashing the same works because it's a proven formula. At the moment, it just seems a bit too much of a good thing to me.
What's next? Mad magazine comic strips?
Every artist's got his or her share of hits and misses, fairly speaking. Chevrier has done some really beautiful compositions as well. She can probably go a long(er) way if she can be more 'selective' in her creations or reduce her output a little. May also be a good idea to start exploring more on her core theme and individual style, than just revolving around women and comics all the time. Am really looking forward to another of that moment when I saw her works put up by coa for the first time on this forum, than her just rehashing the same works because it's a proven formula. At the moment, it just seems a bit too much of a good thing to me.
What's next? Mad magazine comic strips?
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thomasmer
Junior Member
Posts • 1,107
Likes • 565
July 2014
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Top pickup of 2014, by thomasmer on Dec 30, 2014 14:35:30 GMT 1, Well, using Martin Whatson as an example I would say she has at least three years of doing the same old s**t. There is a difference here. one has telent, the other does not. one is in major art collections, the other is not. one is showing and selling out respected galleries and exhibitions, the other is not. just to be clear for those unsure. The other is martin whatson. Such cod crap, I'd say their talent is equal looking at what you just posted, major art collections come on pull the other one, did MOMA just fill a room with them? Both seem to be selling out of their respected exhibitions which shocks me to the core.
Why am I feeding the trolls?
Well, using Martin Whatson as an example I would say she has at least three years of doing the same old s**t. There is a difference here. one has telent, the other does not. one is in major art collections, the other is not. one is showing and selling out respected galleries and exhibitions, the other is not. just to be clear for those unsure. The other is martin whatson. Such cod crap, I'd say their talent is equal looking at what you just posted, major art collections come on pull the other one, did MOMA just fill a room with them? Both seem to be selling out of their respected exhibitions which shocks me to the core. Why am I feeding the trolls?
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Deleted
Posts • 0
Likes •
January 1970
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Top pickup of 2014, by Deleted on Dec 30, 2014 14:42:19 GMT 1, Every artist's got his or her share of hits and misses, fairly speaking. Chevrier has done some really beautiful compositions as well. She can probably go a long(er) way if she can be more 'selective' in her creations or reduce her output a little. May also be a good idea to start exploring more on her core theme and individual style, than just revolving around women and comics all the time. Am really looking forward to another of that moment when I saw her works put up by coa for the first time on this forum, than her just rehashing the same works because it's a proven formula. At the moment, it just seems a bit too much of a good thing to me. What's next? Mad magazine comic strips?
I agree her formula works and she has made some great paintings.
I think that some other artists are churning out editions and stuff just to take advantage of their current fashionability and that the originality and quality of the art they are making as editions reflects that.
Is it because they do not think it will last?
Every artist's got his or her share of hits and misses, fairly speaking. Chevrier has done some really beautiful compositions as well. She can probably go a long(er) way if she can be more 'selective' in her creations or reduce her output a little. May also be a good idea to start exploring more on her core theme and individual style, than just revolving around women and comics all the time. Am really looking forward to another of that moment when I saw her works put up by coa for the first time on this forum, than her just rehashing the same works because it's a proven formula. At the moment, it just seems a bit too much of a good thing to me. What's next? Mad magazine comic strips?
I agree her formula works and she has made some great paintings.
I think that some other artists are churning out editions and stuff just to take advantage of their current fashionability and that the originality and quality of the art they are making as editions reflects that.
Is it because they do not think it will last?
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Poster Bob
Junior Member
Posts • 5,805
Likes • 5,418
September 2013
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Top pickup of 2014, by Poster Bob on Dec 30, 2014 14:51:41 GMT 1, Every artist's got his or her share of hits and misses, fairly speaking. Chevrier has done some really beautiful compositions as well. She can probably go a long(er) way if she can be more 'selective' in her creations or reduce her output a little. May also be a good idea to start exploring more on her core theme and individual style, than just revolving around women and comics all the time. Am really looking forward to another of that moment when I saw her works put up by coa for the first time on this forum, than her just rehashing the same works because it's a proven formula. At the moment, it just seems a bit too much of a good thing to me. What's next? Mad magazine comic strips? Whatever she does next you can rest assured that it will not be original.
Every artist's got his or her share of hits and misses, fairly speaking. Chevrier has done some really beautiful compositions as well. She can probably go a long(er) way if she can be more 'selective' in her creations or reduce her output a little. May also be a good idea to start exploring more on her core theme and individual style, than just revolving around women and comics all the time. Am really looking forward to another of that moment when I saw her works put up by coa for the first time on this forum, than her just rehashing the same works because it's a proven formula. At the moment, it just seems a bit too much of a good thing to me. What's next? Mad magazine comic strips? Whatever she does next you can rest assured that it will not be original.
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kbfrombk
Junior Member
Posts • 2,073
Likes • 1,264
October 2013
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Top pickup of 2014, by kbfrombk on Dec 30, 2014 15:12:46 GMT 1, I'm actually enjoying the Chevrier/MW discussion a lot but I think it's detracting from what was a really great thread.
I'm actually enjoying the Chevrier/MW discussion a lot but I think it's detracting from what was a really great thread.
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Deleted
Posts • 0
Likes •
January 1970
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Top pickup of 2014, by Deleted on Dec 30, 2014 15:36:07 GMT 1, That's as big a lie as Norwegians hyping the Stein release on their forums. Trolly troll troll. blocky blocked blocked. It did however create a useful debate about cow sizes and cows in art as opposed to soup cans and skanky pics of Kate Moss.
That's as big a lie as Norwegians hyping the Stein release on their forums. Trolly troll troll. blocky blocked blocked. It did however create a useful debate about cow sizes and cows in art as opposed to soup cans and skanky pics of Kate Moss.
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sin
New Member
Posts • 614
Likes • 737
February 2013
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Top pickup of 2014, by sin on Dec 30, 2014 15:39:11 GMT 1, its the rampant echo chamber created by the fucking internet. it ruins art and creativity. it ruins digging deep and staying hungry. it gives creatives instant ego, for half baked shit, makes them fat on high calorie low nutrient response.
its the rampant echo chamber created by the fucking internet. it ruins art and creativity. it ruins digging deep and staying hungry. it gives creatives instant ego, for half baked shit, makes them fat on high calorie low nutrient response.
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bgt5002
New Member
Posts • 223
Likes • 157
November 2013
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Top pickup of 2014, by bgt5002 on Dec 30, 2014 15:50:59 GMT 1, Also picked up a lovely Judith Supine that I posted earlier. Nice year overall. Now someone help me find a RAE...
Also picked up a lovely Judith Supine that I posted earlier. Nice year overall. Now someone help me find a RAE...
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dreadnatty
Junior Member
Posts • 5,431
Likes • 6,992
February 2013
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Top pickup of 2014, by dreadnatty on Dec 30, 2014 15:58:31 GMT 1, Also picked up a lovely Judith Supine that I posted earlier. Nice year overall. Now someone help me find a RAE... jettad had a sweet Panic a little while ago
Also picked up a lovely Judith Supine that I posted earlier. Nice year overall. Now someone help me find a RAE... jettad had a sweet Panic a little while ago
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Collection 1
Junior Member
Posts • 2,759
Likes • 1,423
April 2009
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Top pickup of 2014, by Collection 1 on Dec 30, 2014 16:06:24 GMT 1, Every artist's got his or her share of hits and misses, fairly speaking. Chevrier has done some really beautiful compositions as well. She can probably go a long(er) way if she can be more 'selective' in her creations or reduce her output a little. May also be a good idea to start exploring more on her core theme and individual style, than just revolving around women and comics all the time. Am really looking forward to another of that moment when I saw her works put up by coa for the first time on this forum, than her just rehashing the same works because it's a proven formula. At the moment, it just seems a bit too much of a good thing to me. What's next? Mad magazine comic strips? Whatever she does next you can rest assured that it will not be original. I'm sorry but I do not agree with you on that point. She's doing the Cage series for less than 2 years why does she need to already do something else?Could we give her some time? For me it's like saying that: Maya Hayuk needs to move away from the color stripes Jose Parla needs to move away from the abstract calligraphy Dface needs to move away from skulls and Lichtenstein Faile needs to move away from the 50's comics imagery Kaws needs to move away from abstract cartoon Todd James Reas needs to move away from soldier with guns Obey needs to move away from Soviet state-sponsored propaganda posters and the list goes on an on.
It's really easy to criticize someone's work but when you know how much is tough trying to make a living when you are an artist maybe we could give her a brake, be patient and enjoy the fact that you guys were the first to collect her art before everyone else. She starts from nothing without any big publicity machine behind her and she climbs the ladder step by step.
Every artist's got his or her share of hits and misses, fairly speaking. Chevrier has done some really beautiful compositions as well. She can probably go a long(er) way if she can be more 'selective' in her creations or reduce her output a little. May also be a good idea to start exploring more on her core theme and individual style, than just revolving around women and comics all the time. Am really looking forward to another of that moment when I saw her works put up by coa for the first time on this forum, than her just rehashing the same works because it's a proven formula. At the moment, it just seems a bit too much of a good thing to me. What's next? Mad magazine comic strips? Whatever she does next you can rest assured that it will not be original. I'm sorry but I do not agree with you on that point. She's doing the Cage series for less than 2 years why does she need to already do something else?Could we give her some time? For me it's like saying that: Maya Hayuk needs to move away from the color stripes Jose Parla needs to move away from the abstract calligraphy Dface needs to move away from skulls and Lichtenstein Faile needs to move away from the 50's comics imagery Kaws needs to move away from abstract cartoon Todd James Reas needs to move away from soldier with guns Obey needs to move away from Soviet state-sponsored propaganda posters and the list goes on an on. It's really easy to criticize someone's work but when you know how much is tough trying to make a living when you are an artist maybe we could give her a brake, be patient and enjoy the fact that you guys were the first to collect her art before everyone else. She starts from nothing without any big publicity machine behind her and she climbs the ladder step by step.
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Poster Bob
Junior Member
Posts • 5,805
Likes • 5,418
September 2013
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Top pickup of 2014, by Poster Bob on Dec 30, 2014 16:09:51 GMT 1, Because I am sick of seeing it. It's repetitive and boring. I completely agree with everything you said regarding those artists. Their work is so predictable. Her wanting to make a living doesn't stop her from being immune to criticism.
Because I am sick of seeing it. It's repetitive and boring. I completely agree with everything you said regarding those artists. Their work is so predictable. Her wanting to make a living doesn't stop her from being immune to criticism.
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soam24
Junior Member
Posts • 1,007
Likes • 379
December 2012
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Top pickup of 2014, by soam24 on Dec 30, 2014 16:11:52 GMT 1, well said Jean-Pascal - for me there are artists that I wish would venture out... but at the end of the day if it ain't broke.
well said Jean-Pascal - for me there are artists that I wish would venture out... but at the end of the day if it ain't broke.
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kbfrombk
Junior Member
Posts • 2,073
Likes • 1,264
October 2013
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Top pickup of 2014, by kbfrombk on Dec 30, 2014 16:20:09 GMT 1, Whatever she does next you can rest assured that it will not be original. I'm sorry but I do not agree with you on that point. She's doing the Cage series for less than 2 years why does she need to already do something else?Could we give her some time? For me it's like saying that: Maya Hayuk needs to move away from the color stripes Jose Parla needs to move away from the abstract calligraphy Dface needs to move away from skulls and Lichtenstein Faile needs to move away from the 50's comics imagery Kaws needs to move away from abstract cartoon Todd James Reas needs to move away from soldier with guns Obey needs to move away from Soviet state-sponsored propaganda posters and the list goes on an on. It's really easy to criticize someone's work but when you know how much is tough trying to make a living when you are an artist maybe we could give her a brake, be patient and enjoy the fact that you guys were the first to collect her art before everyone else. She starts from nothing without any big publicity machine behind her and she climbs the ladder step by step. looking for suitable SC thread...
Whatever she does next you can rest assured that it will not be original. I'm sorry but I do not agree with you on that point. She's doing the Cage series for less than 2 years why does she need to already do something else?Could we give her some time? For me it's like saying that: Maya Hayuk needs to move away from the color stripes Jose Parla needs to move away from the abstract calligraphy Dface needs to move away from skulls and Lichtenstein Faile needs to move away from the 50's comics imagery Kaws needs to move away from abstract cartoon Todd James Reas needs to move away from soldier with guns Obey needs to move away from Soviet state-sponsored propaganda posters and the list goes on an on. It's really easy to criticize someone's work but when you know how much is tough trying to make a living when you are an artist maybe we could give her a brake, be patient and enjoy the fact that you guys were the first to collect her art before everyone else. She starts from nothing without any big publicity machine behind her and she climbs the ladder step by step. looking for suitable SC thread...
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bgt5002
New Member
Posts • 223
Likes • 157
November 2013
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Top pickup of 2014, by bgt5002 on Dec 30, 2014 16:22:54 GMT 1, Thanks, Dread. Checking in with them later today.
Thanks, Dread. Checking in with them later today.
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Deleted
Posts • 0
Likes •
January 1970
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Top pickup of 2014, by Deleted on Dec 30, 2014 16:27:58 GMT 1, I love sandra's work, I have since I first saw it on COA's site. My original and HPM get so much attention in the house from all walks of life. My sons 5 year old friends love it and ask if he painted it (He replies "No, an artist did"), my in-laws stare at it and tell others to "take the art in". I also love her work prior to the comics, with the color blocks, and especially the "Smiley Face" painting.
Shes a talent, her watercolor brush strokes are feminine and delicate, her acrylics are fierce and striking, and when she uses oil stick, it seams angry and fearful, like lipstick on a mirror. Her message is always quite clear and concise, and her story is great. Its no wonder so many people are discovering her and latching on, collecting, following, etc.
You can dumb this down to "hype" or you can take it as an educated analysis, but you cant deny her talent, even if her work doesnt belong in your collection.
I love sandra's work, I have since I first saw it on COA's site. My original and HPM get so much attention in the house from all walks of life. My sons 5 year old friends love it and ask if he painted it (He replies "No, an artist did"), my in-laws stare at it and tell others to "take the art in". I also love her work prior to the comics, with the color blocks, and especially the "Smiley Face" painting.
Shes a talent, her watercolor brush strokes are feminine and delicate, her acrylics are fierce and striking, and when she uses oil stick, it seams angry and fearful, like lipstick on a mirror. Her message is always quite clear and concise, and her story is great. Its no wonder so many people are discovering her and latching on, collecting, following, etc.
You can dumb this down to "hype" or you can take it as an educated analysis, but you cant deny her talent, even if her work doesnt belong in your collection.
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FЯ
Full Member
Posts • 8,248
Likes • 9,236
May 2013
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Top pickup of 2014, by FЯ on Dec 30, 2014 16:28:21 GMT 1, Well said JP
Well said JP
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sin
New Member
Posts • 614
Likes • 737
February 2013
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Top pickup of 2014, by sin on Dec 30, 2014 17:08:39 GMT 1, I love sandra's work, I have since I first saw it on COA's site. My original and HPM get so much attention in the house from all walks of life. My sons 5 year old friends love it and ask if he painted it (He replies "No, an artist did"), my in-laws stare at it and tell others to "take the art in". I also love her work prior to the comics, with the color blocks, and especially the "Smiley Face" painting. Shes a talent, her watercolor brush strokes are feminine and delicate, her acrylics are fierce and striking, and when she uses oil stick, it seams angry and fearful, like lipstick on a mirror. Her message is always quite clear and concise, and her story is great. Its no wonder so many people are discovering her and latching on, collecting, following, etc. You can dumb this down to "hype" or you can take it as an educated analysis, but you cant deny her talent, even if her work doesnt belong in your collection. Millions of people like McDonalds, this argument of "everyone likes it" holds no weight and is actually a great argument against it. Art isnt about how digestible something is. This is pretty pictures on canvas. Style is not vision. "cool" isnt a way to define art. Talent is everywhere, what makes a great artist is their ability to push, fight, break ground. This is not that.
I love sandra's work, I have since I first saw it on COA's site. My original and HPM get so much attention in the house from all walks of life. My sons 5 year old friends love it and ask if he painted it (He replies "No, an artist did"), my in-laws stare at it and tell others to "take the art in". I also love her work prior to the comics, with the color blocks, and especially the "Smiley Face" painting. Shes a talent, her watercolor brush strokes are feminine and delicate, her acrylics are fierce and striking, and when she uses oil stick, it seams angry and fearful, like lipstick on a mirror. Her message is always quite clear and concise, and her story is great. Its no wonder so many people are discovering her and latching on, collecting, following, etc. You can dumb this down to "hype" or you can take it as an educated analysis, but you cant deny her talent, even if her work doesnt belong in your collection. Millions of people like McDonalds, this argument of "everyone likes it" holds no weight and is actually a great argument against it. Art isnt about how digestible something is. This is pretty pictures on canvas. Style is not vision. "cool" isnt a way to define art. Talent is everywhere, what makes a great artist is their ability to push, fight, break ground. This is not that.
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Passion Art
Junior Member
Posts • 1,027
Likes • 317
April 2007
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Top pickup of 2014, by Passion Art on Dec 30, 2014 17:40:25 GMT 1, Also picked up a lovely Judith Supine that I posted earlier. Nice year overall. Now someone help me find a RAE... Where's this Swoon from? Gorgeous.
Also picked up a lovely Judith Supine that I posted earlier. Nice year overall. Now someone help me find a RAE... Where's this Swoon from? Gorgeous.
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bgt5002
New Member
Posts • 223
Likes • 157
November 2013
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Top pickup of 2014, by bgt5002 on Dec 30, 2014 17:46:12 GMT 1, Ice Queen, which I believe was first on view at Art in the Streets in LA a few years back. I had some history with Callie through work and was fortunate enough to get this as a gift via my wife. The piece is great, and her framer did a PHENOMENAL job to help accentuate.
Ice Queen, which I believe was first on view at Art in the Streets in LA a few years back. I had some history with Callie through work and was fortunate enough to get this as a gift via my wife. The piece is great, and her framer did a PHENOMENAL job to help accentuate.
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Deleted
Posts • 0
Likes •
January 1970
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Top pickup of 2014, by Deleted on Dec 30, 2014 17:48:00 GMT 1, I love sandra's work, I have since I first saw it on COA's site. My original and HPM get so much attention in the house from all walks of life. My sons 5 year old friends love it and ask if he painted it (He replies "No, an artist did"), my in-laws stare at it and tell others to "take the art in". I also love her work prior to the comics, with the color blocks, and especially the "Smiley Face" painting. Shes a talent, her watercolor brush strokes are feminine and delicate, her acrylics are fierce and striking, and when she uses oil stick, it seams angry and fearful, like lipstick on a mirror. Her message is always quite clear and concise, and her story is great. Its no wonder so many people are discovering her and latching on, collecting, following, etc. You can dumb this down to "hype" or you can take it as an educated analysis, but you cant deny her talent, even if her work doesnt belong in your collection. Millions of people like McDonalds, this argument of "everyone likes it" holds no weight and is actually a great argument against it. Art isnt about how digestible something is. This is pretty pictures on canvas. Style is not vision. "cool" isnt a way to define art. Talent is everywhere, what makes a great artist is their ability to push, fight, break ground. This is not that. There are plenty of artists collected throughout this particular forum that I cant stand, some of which I feel have zero talent, zero drive and have pushed zero boundaries, so I get what youre saying. But understand, I never said "cool", even though I think plenty of great art is also very cool, and my argument was actually quite different from your response, so much, that I feel you didnt read the post. You can go on a tangent about great art not being digestible, but we're in a forum that praises street art, pop art and lowbrow art. Majority of which uses iconic imagery as a base, all of which is quite digestible for the masses, street art has to be, or it gets covered fairly quickly. You can also argue the points of "push, fight, break ground" but it all boils down to taste, talent and longevity. I see a new Peter Gronquist and im just as excited as I am looking at a Doze, I can see an Albert Oehlen, Jacob Kassay, or Rashid Johnson and it gives me the exact feeling as my Chevrier, my Curiot and my Mike Giant's. That list is all very talented and the prices range from $400-$300,000 but the feeling, for me, is identical when I stare at the works and smile. I have the ability to appreciate the works for what they are, and why they are. Theres a place in art for Sandra, just like for some god awful reason theres a place in art for Faile (Who's talent I cannot see, or digest). Like I said, I feel her talent is recognized even if her work doesnt belong (fit) in your collection.
I personally think she'll eventually evolve, and has the raw talent and base to do so. For example, Look at someone like Mars-1. In 2002 his works were almost the opposite of his works today. I believed in, and invested in him in throughout 2000-2004, and Im very happy I did. Now, he's flourishing....
Mars-1 2003
Mars-1 today
I love sandra's work, I have since I first saw it on COA's site. My original and HPM get so much attention in the house from all walks of life. My sons 5 year old friends love it and ask if he painted it (He replies "No, an artist did"), my in-laws stare at it and tell others to "take the art in". I also love her work prior to the comics, with the color blocks, and especially the "Smiley Face" painting. Shes a talent, her watercolor brush strokes are feminine and delicate, her acrylics are fierce and striking, and when she uses oil stick, it seams angry and fearful, like lipstick on a mirror. Her message is always quite clear and concise, and her story is great. Its no wonder so many people are discovering her and latching on, collecting, following, etc. You can dumb this down to "hype" or you can take it as an educated analysis, but you cant deny her talent, even if her work doesnt belong in your collection. Millions of people like McDonalds, this argument of "everyone likes it" holds no weight and is actually a great argument against it. Art isnt about how digestible something is. This is pretty pictures on canvas. Style is not vision. "cool" isnt a way to define art. Talent is everywhere, what makes a great artist is their ability to push, fight, break ground. This is not that. There are plenty of artists collected throughout this particular forum that I cant stand, some of which I feel have zero talent, zero drive and have pushed zero boundaries, so I get what youre saying. But understand, I never said "cool", even though I think plenty of great art is also very cool, and my argument was actually quite different from your response, so much, that I feel you didnt read the post. You can go on a tangent about great art not being digestible, but we're in a forum that praises street art, pop art and lowbrow art. Majority of which uses iconic imagery as a base, all of which is quite digestible for the masses, street art has to be, or it gets covered fairly quickly. You can also argue the points of "push, fight, break ground" but it all boils down to taste, talent and longevity. I see a new Peter Gronquist and im just as excited as I am looking at a Doze, I can see an Albert Oehlen, Jacob Kassay, or Rashid Johnson and it gives me the exact feeling as my Chevrier, my Curiot and my Mike Giant's. That list is all very talented and the prices range from $400-$300,000 but the feeling, for me, is identical when I stare at the works and smile. I have the ability to appreciate the works for what they are, and why they are. Theres a place in art for Sandra, just like for some god awful reason theres a place in art for Faile (Who's talent I cannot see, or digest). Like I said, I feel her talent is recognized even if her work doesnt belong (fit) in your collection. I personally think she'll eventually evolve, and has the raw talent and base to do so. For example, Look at someone like Mars-1. In 2002 his works were almost the opposite of his works today. I believed in, and invested in him in throughout 2000-2004, and Im very happy I did. Now, he's flourishing.... Mars-1 2003 Mars-1 today
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natstan
Junior Member
Posts • 1,806
Likes • 1,127
March 2013
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Top pickup of 2014, by natstan on Dec 30, 2014 18:23:03 GMT 1, I'm sorry but I do not agree with you on that point. She's doing the Cage series for less than 2 years why does she need to already do something else?Could we give her some time? For me it's like saying that: Maya Hayuk needs to move away from the color stripes Jose Parla needs to move away from the abstract calligraphy Dface needs to move away from skulls and Lichtenstein Faile needs to move away from the 50's comics imagery Kaws needs to move away from abstract cartoon Todd James Reas needs to move away from soldier with guns Obey needs to move away from Soviet state-sponsored propaganda posters and the list goes on an on. It's really easy to criticize someone's work but when you know how much is tough trying to make a living when you are an artist maybe we could give her a brake, be patient and enjoy the fact that you guys were the first to collect her art before everyone else. She starts from nothing without any big publicity machine behind her and she climbs the ladder step by step. Actually I didn't realise I was even criticising than I'm commenting as a patron of art (though I think JP is commenting more on posterbob's views than mine?) I guess I have high hopes on her and wished to see something more from her soon.
I'm sorry but I do not agree with you on that point. She's doing the Cage series for less than 2 years why does she need to already do something else?Could we give her some time? For me it's like saying that: Maya Hayuk needs to move away from the color stripes Jose Parla needs to move away from the abstract calligraphy Dface needs to move away from skulls and Lichtenstein Faile needs to move away from the 50's comics imagery Kaws needs to move away from abstract cartoon Todd James Reas needs to move away from soldier with guns Obey needs to move away from Soviet state-sponsored propaganda posters and the list goes on an on. It's really easy to criticize someone's work but when you know how much is tough trying to make a living when you are an artist maybe we could give her a brake, be patient and enjoy the fact that you guys were the first to collect her art before everyone else. She starts from nothing without any big publicity machine behind her and she climbs the ladder step by step. Actually I didn't realise I was even criticising than I'm commenting as a patron of art (though I think JP is commenting more on posterbob's views than mine?) I guess I have high hopes on her and wished to see something more from her soon.
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Deleted
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January 1970
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Top pickup of 2014, by Deleted on Dec 30, 2014 18:25:29 GMT 1, I'm just here because someone said backdoor, and was seriously disappoint. I also think that Sandra Chevrier hand is jacked (but in general im not a fan of chicks that paint chicks) "I'm just here because someone said backdoor, and was seriously disappointed. Not a fan of "chicks that paint chicks" ?
And you work with female artists on the Miami project ? hopefully they don't read this board.
I'm just here because someone said backdoor, and was seriously disappoint. I also think that Sandra Chevrier hand is jacked (but in general im not a fan of chicks that paint chicks) "I'm just here because someone said backdoor, and was seriously disappointed. Not a fan of "chicks that paint chicks" ?And you work with female artists on the Miami project ? hopefully they don't read this board.
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Deleted
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January 1970
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Top pickup of 2014, by Deleted on Dec 30, 2014 18:35:19 GMT 1, For me it has to be picking up a RAE original - Attention Seeker. Had lots of runners up, but this one stands out for me. Have to give Steve at the Brooklynite gallery a big thank you for his help with getting this. Now I am going to bore you all with a few photos! One of the nicest RAE works I've seen. Congrats.
For me it has to be picking up a RAE original - Attention Seeker. Had lots of runners up, but this one stands out for me. Have to give Steve at the Brooklynite gallery a big thank you for his help with getting this. Now I am going to bore you all with a few photos! One of the nicest RAE works I've seen. Congrats.
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sin
New Member
Posts • 614
Likes • 737
February 2013
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Top pickup of 2014, by sin on Dec 30, 2014 19:00:30 GMT 1, I'm just here because someone said backdoor, and was seriously disappoint. I also think that Sandra Chevrier hand is jacked (but in general im not a fan of chicks that paint chicks) "I'm just here because someone said backdoor, and was seriously disappointed. Not a fan of "chicks that paint chicks" ?And you work with female artists on the Miami project ? hopefully they don't read this board.
Not sure why my backdoor comment is relevant to your thoughtful critique. I'm rather well known (and in some circles highly regarded) for my dick and fart humor.
Also, I am an open book about my critique of women who paint women. Why critique can't exist is the exact problem I spoke of in my other post. I happen to think all the female artists who participated in the project are great talents, that doesn't mean I have to then restrict my general critique of women artists who primarily paint women. Happy to take this debate to another thread.
I'm just here because someone said backdoor, and was seriously disappoint. I also think that Sandra Chevrier hand is jacked (but in general im not a fan of chicks that paint chicks) "I'm just here because someone said backdoor, and was seriously disappointed. Not a fan of "chicks that paint chicks" ?And you work with female artists on the Miami project ? hopefully they don't read this board. Not sure why my backdoor comment is relevant to your thoughtful critique. I'm rather well known (and in some circles highly regarded) for my dick and fart humor. Also, I am an open book about my critique of women who paint women. Why critique can't exist is the exact problem I spoke of in my other post. I happen to think all the female artists who participated in the project are great talents, that doesn't mean I have to then restrict my general critique of women artists who primarily paint women. Happy to take this debate to another thread.
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kbfrombk
Junior Member
Posts • 2,073
Likes • 1,264
October 2013
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