Banksy Mystery Solved WITH EVIDENCE

[bobilon]

THREE DOCUMENTS FROM 1995, 2004 AND 2007 PROVE THAT LUCY MCKENZIE IS BANKSY

Exhibit 1: “Prostitute Cards” expose from McKenzie’s 1995 Violet fanzine #4. In the article’s introduction, McKenzie openly considers using a modified escort ad as the basis for a risqué cartoon. On the sly, she slips a mocked-up ad into the showcase titled "Spanking by Angry Miss," which includes a trademark McKenzie flaw in the logo's graphic design, making it a one-of-a-kind LM escort ad X logo. design 

Lucy McKenzie,"Spanking By Angry Miss" fake escort ad from her 1995 Violet fanzine #4

Exhibit 2: Banksy’s notes from a 2004 website design meeting with Steve Lazarides



Banksy's Notes from a 2004 Meeting with Steve Lazarides
The notes on right are backed by a new-and-improved ready-for-caption version of Exhibit 1’s mocked-up “Spanking by Angry Miss” cartoon palate. Notably, the meeting notes also seed the completion of Exhibit l's cartoon idea from nine years back as a pen-on-photocopy Banksy work by the inclusion of the "I love my job" as a punchline. The cartoon was presumably finished as performance writing piece by meetings end that Laz then archived before it came to light at archive auction earlier this month. Banksy didn't disclaim.this evidentiary ephemera's authenticity , which they certainly would have done in high profile auction like this one were the "Spanking by Angry Miss" cartoon not their work, which with a very high degree of certainty proves McKenzie is The Artist known as Banksy.

For the meeting’s purpose, the cartoon also served to assert Banksy McKenzie's dominance over Laz, who at the time of Exhibit 2 creation had only recently acquired a partner stake in the venture, despite contributing nothing significant to it. So Banksy McKenzie wanted Laz out from the get go and achieved her ends while chronicling it in Exhibit 3 in a work that can only be understood as the bookend to McKenzie's original 1995 expose.

Exhibit 3: Catalog cover for Fall 2007 Art Auction at London’s Shadow Lounge



This full-color sequel to McKenzie’s first “Prostitutes Cards” article repurposes the initial work-in-progress concept into an advertisement for the Fall 2007 London auction that funded Steve Lazarides’ golden parachute from Banksy’s parent company, Pictures on Walls, after Banksy suceeded in booting him from the biz as they intended from the start.. Like V1, the sequel also includes one telltale ringer among the otherwise real escort ads that mimics the 2004 Cartoons’ “I love my job” punchline. This reflects the occasion when her job included booting him out of POW which Laz likely didn't mind having clocked a gross return of 3 million pounds in 07 -08 while is loan-out company was a POW subsidiary, and while walking away with many of the Exit promoted street artists. In the end, it was a spanking which to this day he'd take again and say "Thank-you Angry Miss, may I please have another." Wouldn't you?

ANALYSIS: Together, these three documents provide proof that McKenzie is Banksy. In Exhibit 1, her creation of a unique logo for the “Spanking by Angry Miss” dominatrix brand—where the right hand of the spanked man is cropped out—stands apart from any escort ad you’d have encountered were you a connoisseur like McKenzie, who describes her mind as “like a meat slicer” in her 2014 short, “The Girl Who Followed Marple.” For example, in the photographs of her and her friends at her 2012 Stromboli Island Volcano Extravaganza residency, she cropped their shoulders and necks out of the frame.

Strange though it is , “the one-handed spanked man” icon is a true McKenzie fingerprint that links her inexracably to Banksy by its reappearance in a follow-up piece of ephemera that has been authenticated as the work of Banksy which guarantees that McKenzie is Banksy with evidence.

The only argument against th cartoon's completion in 2004 ephemera piece is absurd. It assumes that Banksy is a huge fan of a relatively obscure female Scottish fine artist’s high school zines from a decade decade previous and then somehow got in their mind to complete McKenzie’s initial idea as a performance during a meeting. where the brings the dominatrix cartoon concept to its close as a finished work of performance meeting notes. It’s ridiculous to think any other person finishing McKenzie's idea though nothing is impossible until she or her associates cop to the truth.  I've received 20 no comments from people who would know including McKenzie's gallerist, Jo Brooks, Eine, Steph Warren, Simon Durban... etc. etc. etc.  without a single denial  

Exhibit 3 merely takes the proof up to higher level of proof by book-ending and completing her consideration of "prostitute cards" with an over-the-rainbow technicolor finale the impetus to the work costing her company, and thus her, a pretty penny, though to her credit she kept her sense of humor and in a weird way had the last laugh on former partner; ten years later she'd forgive Laz permiting and guiding through publishing his 2019 - 2020 Banksy Captured Books as the ever elusive Countess, who is the central figure in Volume l's closing sgot. Only Lucy McKenzie as Banksy would be willing to go to trouble to create a tableau of prostitute cards and photograph it like a professional tabletop photographer for an auction that had nothing to do prostitution or sex and by those same creative vicisitudes its clear she Banksy.

So, for those who don’t have a bad-Santa attachment to the Banksy fairy tale, consider the Banksy mystery solved. For those who do, I recommend embracing the idea that Lucy McKenzie is the genius behind the artwork you love... because she’s an amazing artist, a mistress of disguises, whose true stories and additional artist role plays in addition to Banksy likewise remain unrecognized except by me.

And for those who want to fact-check my descriptions with the pictures and the text, see my previous NC-17 post that explores the making of the Exhibits in greater detail: link.

[Pete the Post]

😂😂

[mandem]

FOR SALE: several pieces by Lucy Mckenzie aka Spanksy.

Never framed, always stored in a pet free flatfile in an oxgen-free temperature controlled secure environment.

PM for details. I will require NDA to be signed before I will reply.
No lowballs, I know what I've got. IYKYK.

[compound]

Of fuck me, the tin foil hatted t**t is back