Stikki Peaches 🇨🇦 Montreal Street Artist • Wheat Paste

[mattbomarr]

My Background Noise mixtape/podcast series focuses on the music that artists listen to when they work. This week, in episode 27, the focus is on Montreal-based street artist Stikki Peaches. You can listen to the episode and read the write-up here, and check out all previous episodes (including Blek Le Rat, Futura 2000, ASVP and many others) here.

[Deleted]

Jul 21, 2014 15:33:26 GMT 1 mattbomarr said:

My Background Noise mixtape/podcast series focuses on the music that artists listen to when they work. This week, in episode 27, the focus is on Montreal-based street artist Stikki Peaches. You can listen to the episode and read the write-up here, and check out all previous episodes (including Blek Le Rat, Futura 2000, ASVP and many others) here.

Might just be me, but the first link doesn't seem to work.

[mattbomarr]

Sorry about that. fixed now!

[dreadnatty]

[Station 16]

Being a huge Stikki Peaches, I got a big kick out of Instagrafite's new blog post & thought I'd share a few highlights. For the full article, click here:http://instagrafite.com/stikki-peaches-interview/

The artist tagline “What if Art Ruled the World?” has been taking over Montreal, but also the urban landscape of Paris, London, Berlin and Stockholm, since 2009.

The anonymous street artist is strongly influenced by pop culture references, lowbrow and street culture. Created by using a variety of media, including collage, acrylic paint and silkscreen, each piece encourages people passing by to stop, analyse, and question and is sure to leave them with a smile.

In 2013 alone, Stikki Peaches left his mark in Barcelona, New York and Art Basel Miami. In 2014, Stikki had his first international solo exhibition in New York.

After spending the afternoon with Stikki watching him putting up his latest work on the streets of Montreal I then visited his studio and here is what I found out …

Julie: Could you tell me more about your background and what influenced you artistically?

Stikki Peaches: I come from a creative and artistic background from as long as I can remember as a kid. My folks both worked in the textile industry, my dad a tailor, my mom a fashion designer. Being surrounded by endless amounts of sketches, patterns, story boards, colour palettes etc. For me it was always an opportunity to take those scraps of paper left behind, or those rejected sketches and turn them into something else by painting or colouring over them. Nothing went to waste as I though all they did was amazing and I was lucky to “work” with them. Today my work kind of stems from those days hanging around that industry with my folks, paying endless amount of attention to details while adding the nostalgic touch and feeling of the 80’s and 90’s pop culture that I was so in tune with that was a big part of my childhood.

I was lucky enough to see you creating your latest piece in Montreal. Could you explain your pasting technique and tell me a bit more about this street work in particular?

That was a great time. The piece was fairly large, measuring 14 feet high by 9 feet wide, so there were many panels to align and paste up. It’s time consuming, but the end result was what I had expected and more. In this particular case, I was pasting with permission to do so, so taking my time was key, otherwise, it would have been a whole other story if it was one of my nightly adventures.

This actual piece called “Skools Out” was meant for an installation in Berlin, with the help and support from the awesome people at Urban Nation. The area in which I was working was a little rough around the edges, a red light sort of district with lots going on in the streets, this while many kids play and hang around these neighbourhoods. Knowing this beforehand, the piece was created to have that playful innocence, while bearing some tough outer skin in working the tattoos and punk vibe, keeping it light but edgy with the realization that this is their every day and in fact it is a reality. While there, ready to install, we noticed the dimensions of the wall assigned wasn’t accurate to the paste up and would not have fit in the actual space, so unfortunately I had to bring the piece back with me to Montreal, where it found a good home!

This only means I’ll be back in Berlin soon enough to rework another installation for UN. So I’m pretty stoked about that.

You work mostly at night as you prefer to keep your identity low key, we can imagine sometimes this wasn’t an easy task. Any funny stories that you want to share with us?

One that stands out was my first involvement with the Montreal mural festival back in 2013 where I was assigned to cover a bunch of doors legally with my work along the main. While installing a piece, I was hit with an ice cold bucket of water from the second floor of the building I was working on from a tenant that thought I was vandalizing. All this while there was a huge street banner mentioning the Mural festival right outside his window. In all the years of doing these illegal style paste ups I never had someone interact with me in such a way. Turned out to be a great night.

More work by Stikki Peaches can be found here: www.station16gallery.com/collections/stikki-peaches

[Poly Mindset]

Looking for Stikki Peaches. What you got?

[Poly Mindset]

Had been looking for a print by Stikki Peaches for some time now, even put a wanted ad on this forum to no avail. Finally found this in LA at a reasonable rate so I snatched it up. I kind of figure Johnny Depp is the James Dean of our era so I think it's pretty cool. Plus, I like the fangs out his lower lip paying tribute to The Hollywood Vampires.

[shy]

Like his art! Congrats man!

[hellfo]

www.station16editions.com/collections/stikki-peaches

[Le Bams]

Original Paint or Print ?

[seabass]

i have 2 street pieces that are massive and the kate moss skate decks

[seabass]

really like Stikki's work! I also have a Johnny Depp street piece at home. 
I have the Kate Moss skate decks that I'm looking to sale if you are interested.

[Le Bams]

Do you sell anything ?

[Taglialatella]

Taglialatella Galleries x Stikki Peaches needs you to 'Embrace the Chaos.'



With 'Embrace the Chaos,' Stikki Peaches has created a massive body of work, including original works on canvas and paper, as well as re-worked paintings on found objects such as traditional religious portraiture that the artist retrieved from old Italian markets during his travels. Marking a decade since his first solo show in New York City, Stikki has spent the better part of a year reflecting on the nature of what it means to speak visually to an audience with an unprecedented yet ubiquitous shared experience. 



"It has been a complicated few years. Seems like days take much more planning and organizing. If it is not one thing, it is another. Life comes at you quickly. Filled with ups and downs, we control what we can and right now, you’ve chosen to be here to see this exhibition.

As chaotic as the bathrooms of the CBGB, embrace the chaos in front of you. Take this time for yourself and dive into these works, unraveling layers of messages through these vessels of portraits."

-Stikki Peaches



'Embrace the Chaos' has also lent Stikki Peaches a unique opportunity to collaborate from afar with two creators influential to the artist’s love of film, fashion, dance, theatre, and artistic exploration. Photographer Melika Dez and painter/actress Kathrine Narducci have each created on a body of work with Stikki, separately, by producing daring collaborative compositions without planned direction in each artist’s signature style, combined with that of Stikki Peaches.



'Embrace the Chaos' is on view now through November 8th, at Taglialatella Galleries 229 10th Ave., New York, NY.

For additional information, please visit our website, or contact Taglialatella Galleries by phone at [phone] or email at [e-mail].

[Daniel Silk]

https://www.instagram.com/reel/C7PDVVGOzh7

[Daniel Silk]

https://www.instagram.com/p/C7Z5mwau8KM

[Daniel Silk]

https://www.instagram.com/reel/C7g59ZTuEtv