Quinnster
Junior Member
๐จ๏ธ 3,635
๐๐ป 2,782
January 2006
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by Quinnster on Feb 27, 2016 8:24:46 GMT 1, You'd have to take it as those crazy auction results will never happen again and you know it. Pay ยฃ20k or less for this or you're a sucker. Please keep your "opinions" to yourself as the last two auction results hammered at $34,000 and $46,000 from two different auction sites. So I would love to know where you can buy this print for ยฃ20000 or less? I think by asking for $40,000 is fair according to those auction results.
Take it to auction then.
You'd have to take it as those crazy auction results will never happen again and you know it. Pay ยฃ20k or less for this or you're a sucker. Please keep your "opinions" to yourself as the last two auction results hammered at $34,000 and $46,000 from two different auction sites. So I would love to know where you can buy this print for ยฃ20000 or less? I think by asking for $40,000 is fair according to those auction results. Take it to auction then. |
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milo99
New Member
๐จ๏ธ 320
๐๐ป 73
December 2015
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by milo99 on Feb 27, 2016 10:24:24 GMT 1, Surely about 28000 dollars max private sale if they were The results
Surely about 28000 dollars max private sale if they were The results
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Kawsisking
New Member
๐จ๏ธ 275
๐๐ป 86
June 2015
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by Kawsisking on Feb 28, 2016 16:28:37 GMT 1, I've PMed an offer.
I've PMed an offer.
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Deleted
๐จ๏ธ 0
๐๐ป
January 1970
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by Deleted on Mar 18, 2016 4:04:59 GMT 1, Buyer fell through still available at $35,000. Thanks
Buyer fell through still available at $35,000. Thanks
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by covertshadowops on Mar 18, 2016 9:06:38 GMT 1, Sothebys last result was ยฃ25k including premium!
This is over priced!
Sothebys last result was ยฃ25k including premium!
This is over priced!
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Deleted
๐จ๏ธ 0
๐๐ป
January 1970
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by Deleted on Mar 18, 2016 13:15:24 GMT 1, Sothebys last result was ยฃ25k including premium! This is over priced!
Condition was overall "very good" on that one. That creates a huge difference in price in these if they're not mint.
Sothebys last result was ยฃ25k including premium! This is over priced! Condition was overall "very good" on that one. That creates a huge difference in price in these if they're not mint. |
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Deleted
๐จ๏ธ 0
๐๐ป
January 1970
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by Deleted on Mar 18, 2016 15:11:22 GMT 1, Does yours still have the plastic cellophane?
Yes it does
Does yours still have the plastic cellophane? Yes it does |
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dreadnatty
Junior Member
๐จ๏ธ 5,431
๐๐ป 6,992
February 2013
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by dreadnatty on Apr 30, 2016 16:01:04 GMT 1, mariangoodman.com/exhibition/3150/press-release
Marian Goodman Gallery, New York is delighted to announce an exhibition of new work by Gerhard Richter which will open to the public on Saturday, May 7th and remain on view through June 25th, 2016.
Over the past five decades and through a prolific history, Gerhard Richter has explored painting through a rich and diverse range of ideas that has spanned realist works based on found images and photographs, abstractions made with a squeegee, two and three dimensional glass works, abstract drawings, and overpainted photographs made from images of daily life.
On view will be a major representation of new works by the artist spanning five years, including a new cycle of Abstraktes Bild, 2014-2015; a new group of abstract drawings, 2015; works from the Aladin cycle of paintings under glass, 2010; and overpainted photographs, 2014-2015.
A comprehensive catalogue, Gerhard Richter: Abstract Paintings and Drawings, is being published on the occasion of the exhibition and will include full-color plates and two important new texts: โGerhard Richter: Drawing the Conditions of Drawingโ by Benjamin H.D. Buchloh, Andrew W. Mellon Professor of Modern Art History at Harvard University, and โBeginning Again: New Abstract Paintings by Gerhard Richterโ by Dieter Schwarz, Director of Kunstmuseum Winterthur.
This exhibition marks the beginning of a new body of work and a return by Gerhard Richter to the process of abstract painting following the last major group of abstract works from 2009 and the subsequent period from 2010-2013 in which he dedicated himself to exploring primarily non-painterly means in his work, i.e. the Strips. They represent a โdialectical inquiry into painting from aesthetic engagements at its marginsโ. Following this fertile period of investigating painting by other means, in the summer of 2014 the artist commenced the Birkenau cycle of works, which are currently the centerpiece of a larger exhibition at Museum Frieder Burda, Baden Baden, through the end of May 2016 and have been widely seen, first in Dresden at Galerie Neue Meister, Albertinum, Staatliche Kunstsammlungen Dresden, and then in Basel at Foundation Beyeler.
Between December 2014 and May 2015, Richter produced the series 938-941, Abstraktes Bild on view in the current exhibition. These works demonstrate the most recent focus of Richterโs commitment to abstract painting based on the visual historical system for which he has become known, achieved through the build up of painted layers, separated by intervals of time, in which the paint is first applied, then scraped away and added to. These richly chromatic and textured works have an antecedent in a long line of abstract works which have constituted the largest part of his oeuvre. Arrived at through various techniques over the years, since the late eighties he has utilized the squeegee to render compositions based on a hybrid exploration of choice and restraint, control and chance, expressive gesture and mechanical execution, painting as an act and as accident.
As Dieter Schwarz writes in his catalogue essay for this show, beginning in 2010 Richter turned his attention to โinitiatives directed towards recasting paintingโฆ in various ways, in order to return to it in the end.โ This included the series of paintings behind glass: Bagdad, Ifrit, Perizade, Abdallah, and Aladin, the latter of which is represented in the five Aladin 913 works on view in the current exhibition. In 2011 a new pictorial invention was explored: the Strip, shown first at Galerie Marian Goodman, Paris in 2011 and later at Marian Goodman Gallery, New York in 2012. In these works the artist erased his hand in an effort to arrive at a new mode of abstraction achieved through digital means, casting an existing painting, AB 724-4, 1990, into divided vertical fields which fractured pictorial space into a multiplicity of technologically rendered chromatic striations, but still granted the artist an authorial role in their final composition. Finally, in 2013 Richter explored glass as a medium once again, in the large sculptural glass works such as 7 Scheiben/ (Kartenhaus) (7 Panels/ (House of Cards). In the interim and preceding this, there were several important cycles of abstract paintings, such as the Cage paintings of 2006, conceived as a single coherent group and first displayed in 2007 at the 52nd Venice Biennale curated by Rob Storr; as well as the white abstract works exhibited at Marian Goodman Gallery, NY in 2009-2010, and earlier in Paris in 2008.
The important new cycle of forty abstract drawings in the current exhibition were created in the spring of 2015, and can be considered โnot preparatory studies for paintings but rather a kind of finale, which can be understood in relation with the introduction, crescendo, development and conclusion of the painting sequenceโ, writes Dieter Schwarz in the current catalogue, who also organized the retrospective of drawings at Kunstmuseum Winterthur in 1999, and notes that Richter has โreturned to the genre in isolated instances, for example around 1964 and then again in the later 1970s โฆ.[and into the 1990s],and then again in 2000, 2005, and sporadically between 2009-2011: โLike beginning to paint, resuming drawing is likewise a symbolic gesture with which Richter embraces the hope that an art based on the artist-subject can still persist in the face of the infinite possibilities of digital image production.โ
Benjamin Buchloh, reflecting in this catalogue on the historical conditions of drawing and on Richterโs own uses of the medium, writes, โThe conditions and procedures fragmenting modernist drawing seem to erupt in Richterโs work from the 1960s onwards, once he had shed his Socialist Realist pastโฆ. Ultimately ...dispers[ing] drawingโs potential of any function of referentiality itself, delivering it as merely a residual remnant. To sever the line from its referent, to increasingly detach the inscription from the hand that makes it, to dislodge the mark from its maker as much as to disunite and differentiate all marks, gestures and factures from each other, and make the linear ensemble appear as a simultaneity of equally valid, yet non-correlative marks, will now become one of the defining strategies of Richterโs drawing throughout his career. And these strategies seem to have reached their apogee in the artistโs recent corpus of drawings from 2015.โ
Discussing the trajectory of Richterโs drawing and the dialectical impulses contained therein, he notes such striking features such as: โnotational discontinuityโฆ a suspended gesturality, โฆ conflicting graphic impulses, all simultaneously executed and present in constellationsโโฆ โ Richterโs voiding of intention and expression, of motivation and circumscription, of definition and of plan, as much as the simultaneous dismissal of a drawing of random mark making processes in the lineage of emphatic insertion on an artist subjectโs presence, all come together eventually to generate the peculiar simultaneity of conflicting impulses and conventionsโฆWe discover an empathic assimilation of the fractured remnants of the promises that drawing had once been able to make and to deliver even in a not too distant past.โ
The Aladin works (2010) represent a series from the broader three year period (2010-2013) of paint on glass works. In these, lacquer paint is poured and then manipulated by the artist through its flow onto a Plexiglas plate. Relying on aleatory impulses also prevalent in the Strip works, Richter again abolishes gesture and facture altogether, continuing his investigation of non-pictorial procedures for painting.
The overpainted works, which have been intermittently produced since 1986 and here are represented in a group from 2014-15, begin from Richterโs own everyday photographs and create a nexus between the representational and non-representational that have always marked his work. These small format works permit an intimate space and autobiographical element in his work, allowing for random gestures in an artist otherwise known for meticulously built up layers in the larger painted works. โPainting over an existing image can be an anarchic gesture, a retaliation. But it can also be a magical act arising from a primitive awe in the face of captured images. It would be possible to tear the photograph up, in order to ward off the treacherous presence of what has been. But we do not like tearing photographs up โ the old magic is still at work in this inhibition: a remnant has survived of the curse that made the shy savage resist being photographed. The photograph steals the soul. Overpainting rescinds thatโฆThe reproduction is the painterโs support material, the act of painting puts an end to duplication. It takes us back to the unique image.โ (Botho Strauss, Gerhard Richter: Overpainted Photographs, p. 204)
mariangoodman.com/exhibition/3150/press-releaseMarian Goodman Gallery, New York is delighted to announce an exhibition of new work by Gerhard Richter which will open to the public on Saturday, May 7th and remain on view through June 25th, 2016. Over the past five decades and through a prolific history, Gerhard Richter has explored painting through a rich and diverse range of ideas that has spanned realist works based on found images and photographs, abstractions made with a squeegee, two and three dimensional glass works, abstract drawings, and overpainted photographs made from images of daily life. On view will be a major representation of new works by the artist spanning five years, including a new cycle of Abstraktes Bild, 2014-2015; a new group of abstract drawings, 2015; works from the Aladin cycle of paintings under glass, 2010; and overpainted photographs, 2014-2015. A comprehensive catalogue, Gerhard Richter: Abstract Paintings and Drawings, is being published on the occasion of the exhibition and will include full-color plates and two important new texts: โGerhard Richter: Drawing the Conditions of Drawingโ by Benjamin H.D. Buchloh, Andrew W. Mellon Professor of Modern Art History at Harvard University, and โBeginning Again: New Abstract Paintings by Gerhard Richterโ by Dieter Schwarz, Director of Kunstmuseum Winterthur. This exhibition marks the beginning of a new body of work and a return by Gerhard Richter to the process of abstract painting following the last major group of abstract works from 2009 and the subsequent period from 2010-2013 in which he dedicated himself to exploring primarily non-painterly means in his work, i.e. the Strips. They represent a โdialectical inquiry into painting from aesthetic engagements at its marginsโ. Following this fertile period of investigating painting by other means, in the summer of 2014 the artist commenced the Birkenau cycle of works, which are currently the centerpiece of a larger exhibition at Museum Frieder Burda, Baden Baden, through the end of May 2016 and have been widely seen, first in Dresden at Galerie Neue Meister, Albertinum, Staatliche Kunstsammlungen Dresden, and then in Basel at Foundation Beyeler. Between December 2014 and May 2015, Richter produced the series 938-941, Abstraktes Bild on view in the current exhibition. These works demonstrate the most recent focus of Richterโs commitment to abstract painting based on the visual historical system for which he has become known, achieved through the build up of painted layers, separated by intervals of time, in which the paint is first applied, then scraped away and added to. These richly chromatic and textured works have an antecedent in a long line of abstract works which have constituted the largest part of his oeuvre. Arrived at through various techniques over the years, since the late eighties he has utilized the squeegee to render compositions based on a hybrid exploration of choice and restraint, control and chance, expressive gesture and mechanical execution, painting as an act and as accident. As Dieter Schwarz writes in his catalogue essay for this show, beginning in 2010 Richter turned his attention to โinitiatives directed towards recasting paintingโฆ in various ways, in order to return to it in the end.โ This included the series of paintings behind glass: Bagdad, Ifrit, Perizade, Abdallah, and Aladin, the latter of which is represented in the five Aladin 913 works on view in the current exhibition. In 2011 a new pictorial invention was explored: the Strip, shown first at Galerie Marian Goodman, Paris in 2011 and later at Marian Goodman Gallery, New York in 2012. In these works the artist erased his hand in an effort to arrive at a new mode of abstraction achieved through digital means, casting an existing painting, AB 724-4, 1990, into divided vertical fields which fractured pictorial space into a multiplicity of technologically rendered chromatic striations, but still granted the artist an authorial role in their final composition. Finally, in 2013 Richter explored glass as a medium once again, in the large sculptural glass works such as 7 Scheiben/ (Kartenhaus) (7 Panels/ (House of Cards). In the interim and preceding this, there were several important cycles of abstract paintings, such as the Cage paintings of 2006, conceived as a single coherent group and first displayed in 2007 at the 52nd Venice Biennale curated by Rob Storr; as well as the white abstract works exhibited at Marian Goodman Gallery, NY in 2009-2010, and earlier in Paris in 2008. The important new cycle of forty abstract drawings in the current exhibition were created in the spring of 2015, and can be considered โnot preparatory studies for paintings but rather a kind of finale, which can be understood in relation with the introduction, crescendo, development and conclusion of the painting sequenceโ, writes Dieter Schwarz in the current catalogue, who also organized the retrospective of drawings at Kunstmuseum Winterthur in 1999, and notes that Richter has โreturned to the genre in isolated instances, for example around 1964 and then again in the later 1970s โฆ.[and into the 1990s],and then again in 2000, 2005, and sporadically between 2009-2011: โLike beginning to paint, resuming drawing is likewise a symbolic gesture with which Richter embraces the hope that an art based on the artist-subject can still persist in the face of the infinite possibilities of digital image production.โ Benjamin Buchloh, reflecting in this catalogue on the historical conditions of drawing and on Richterโs own uses of the medium, writes, โThe conditions and procedures fragmenting modernist drawing seem to erupt in Richterโs work from the 1960s onwards, once he had shed his Socialist Realist pastโฆ. Ultimately ...dispers[ing] drawingโs potential of any function of referentiality itself, delivering it as merely a residual remnant. To sever the line from its referent, to increasingly detach the inscription from the hand that makes it, to dislodge the mark from its maker as much as to disunite and differentiate all marks, gestures and factures from each other, and make the linear ensemble appear as a simultaneity of equally valid, yet non-correlative marks, will now become one of the defining strategies of Richterโs drawing throughout his career. And these strategies seem to have reached their apogee in the artistโs recent corpus of drawings from 2015.โ Discussing the trajectory of Richterโs drawing and the dialectical impulses contained therein, he notes such striking features such as: โnotational discontinuityโฆ a suspended gesturality, โฆ conflicting graphic impulses, all simultaneously executed and present in constellationsโโฆ โ Richterโs voiding of intention and expression, of motivation and circumscription, of definition and of plan, as much as the simultaneous dismissal of a drawing of random mark making processes in the lineage of emphatic insertion on an artist subjectโs presence, all come together eventually to generate the peculiar simultaneity of conflicting impulses and conventionsโฆWe discover an empathic assimilation of the fractured remnants of the promises that drawing had once been able to make and to deliver even in a not too distant past.โ The Aladin works (2010) represent a series from the broader three year period (2010-2013) of paint on glass works. In these, lacquer paint is poured and then manipulated by the artist through its flow onto a Plexiglas plate. Relying on aleatory impulses also prevalent in the Strip works, Richter again abolishes gesture and facture altogether, continuing his investigation of non-pictorial procedures for painting. The overpainted works, which have been intermittently produced since 1986 and here are represented in a group from 2014-15, begin from Richterโs own everyday photographs and create a nexus between the representational and non-representational that have always marked his work. These small format works permit an intimate space and autobiographical element in his work, allowing for random gestures in an artist otherwise known for meticulously built up layers in the larger painted works. โPainting over an existing image can be an anarchic gesture, a retaliation. But it can also be a magical act arising from a primitive awe in the face of captured images. It would be possible to tear the photograph up, in order to ward off the treacherous presence of what has been. But we do not like tearing photographs up โ the old magic is still at work in this inhibition: a remnant has survived of the curse that made the shy savage resist being photographed. The photograph steals the soul. Overpainting rescinds thatโฆThe reproduction is the painterโs support material, the act of painting puts an end to duplication. It takes us back to the unique image.โ (Botho Strauss, Gerhard Richter: Overpainted Photographs, p. 204)
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Hairbland
Junior Member
๐จ๏ธ 2,946
๐๐ป 2,740
November 2010
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by Hairbland on May 7, 2016 21:39:53 GMT 1, Excellent work, went today, worth seeing if in NYC.
Excellent work, went today, worth seeing if in NYC.
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Kawsisking
New Member
๐จ๏ธ 275
๐๐ป 86
June 2015
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by Kawsisking on May 8, 2016 5:27:13 GMT 1, I am selling my Gerhard Richter P13 (FENCE) print. This is now sold out, I purchased it directly from Serpentine Gallery. I have the original box. The work is in mint condition. PM me if you are interested.
Gerhard Richter
P13 (FENCE)
Limited Edition of 500, each numbered
Diasec mounted print on aluminum
35.5 x 27 cm
I am selling my Gerhard Richter P13 (FENCE) print. This is now sold out, I purchased it directly from Serpentine Gallery. I have the original box. The work is in mint condition. PM me if you are interested. Gerhard Richter P13 (FENCE) Limited Edition of 500, each numbered Diasec mounted print on aluminum 35.5 x 27 cm |
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Poster Bob
Junior Member
๐จ๏ธ 5,891
๐๐ป 5,525
September 2013
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by Poster Bob on Jun 6, 2016 11:06:06 GMT 1, I have one of these prints for sale.
I am asking for ยฃ3,000 but will accept best offers near that.
Gerhard Richter
P13 (FENCE)
Limited Edition of 500, each numbered
Diasec mounted print on aluminum
35.5 x 27 cm
It is in brand-new condition, in the box, with the collective film still attached to the front. Paperwork is available should you require it.
I have sold numerous Banksy prints to galleries most of whom are on the forum and can provide you with references upon request if you're a bit skittish. I have provided long-term payment plans in the past and am open to one if you need it.
I will provide pictures, video and whatever is needed to any potential buyer once they've made an offer.
I am located in Greater London and can ship this via Flight Logistics or collection/local delivery can be arranged. I will only ask that you pay exact shipping.
I will accept cash, bank transfer or Paypal with my preference in that order.
If you need to know anything else please PM me.
I have one of these prints for sale. I am asking for ยฃ3,000 but will accept best offers near that. Gerhard Richter P13 (FENCE) Limited Edition of 500, each numbered Diasec mounted print on aluminum 35.5 x 27 cm It is in brand-new condition, in the box, with the collective film still attached to the front. Paperwork is available should you require it. I have sold numerous Banksy prints to galleries most of whom are on the forum and can provide you with references upon request if you're a bit skittish. I have provided long-term payment plans in the past and am open to one if you need it. I will provide pictures, video and whatever is needed to any potential buyer once they've made an offer. I am located in Greater London and can ship this via Flight Logistics or collection/local delivery can be arranged. I will only ask that you pay exact shipping. I will accept cash, bank transfer or Paypal with my preference in that order. If you need to know anything else please PM me. |
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Kawsisking
New Member
๐จ๏ธ 275
๐๐ป 86
June 2015
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by Kawsisking on Jun 6, 2016 20:00:23 GMT 1, These are starting to appear at the major auction houses, it will be interesting to see how they do.
These are starting to appear at the major auction houses, it will be interesting to see how they do.
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quixote
New Member
๐จ๏ธ 157
๐๐ป 230
May 2016
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by quixote on Jun 6, 2016 20:16:42 GMT 1, Saw this on eBay from a seller a month ago for ยฃ2400 and didn't sell. It was up for a few months too.
Saw this on eBay from a seller a month ago for ยฃ2400 and didn't sell. It was up for a few months too.
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Poster Bob
Junior Member
๐จ๏ธ 5,891
๐๐ป 5,525
September 2013
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by Poster Bob on Jun 6, 2016 22:29:26 GMT 1, According to the Gerhard-Richter.com site one sold at auction last week including fees for $5,352 including the premium. I contacted a major auction house regarding this print and they told me that they wouldn't consider listing one until well into next year.
These are starting to appear at the major auction houses, it will be interesting to see how they do.
According to the Gerhard-Richter.com site one sold at auction last week including fees for $5,352 including the premium. I contacted a major auction house regarding this print and they told me that they wouldn't consider listing one until well into next year. These are starting to appear at the major auction houses, it will be interesting to see how they do. |
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Poster Bob
Junior Member
๐จ๏ธ 5,891
๐๐ป 5,525
September 2013
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by Poster Bob on Jun 6, 2016 22:32:22 GMT 1, Thank you for your thoughtless comment.
Saw this on eBay from a seller a month ago for ยฃ2400 and didn't sell. It was up for a few months too.
Thank you for your thoughtless comment. Saw this on eBay from a seller a month ago for ยฃ2400 and didn't sell. It was up for a few months too. |
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jayjay
New Member
๐จ๏ธ 29
๐๐ป 20
December 2014
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by jayjay on Jun 22, 2016 18:11:38 GMT 1, Appears ยฃ5000 / each. They are somewhat large though, 100 x 200cm.
Appears ยฃ5000 / each. They are somewhat large though, 100 x 200cm.
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Unica
Junior Member
๐จ๏ธ 2,076
๐๐ป 1,232
November 2013
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by Unica on Jun 22, 2016 18:33:46 GMT 1, They also don't appear to be signed, anyone know if thats the case? And I also believe they will be pretty hard to sell at any stage if the buyer has to because the image cannot be displayed on the internet, that cancels out every major auction house.
They also don't appear to be signed, anyone know if thats the case? And I also believe they will be pretty hard to sell at any stage if the buyer has to because the image cannot be displayed on the internet, that cancels out every major auction house.
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Poster Bob
Junior Member
๐จ๏ธ 5,891
๐๐ป 5,525
September 2013
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by Poster Bob on Jun 22, 2016 19:04:02 GMT 1, Unsigned and ยฃ5k plus tax. They had the same rules for buying p13 and several of them have already been auctioned publicly. It's unlikely that they would enforce anything, but it is possible.
Unsigned and ยฃ5k plus tax. They had the same rules for buying p13 and several of them have already been auctioned publicly. It's unlikely that they would enforce anything, but it is possible.
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Unica
Junior Member
๐จ๏ธ 2,076
๐๐ป 1,232
November 2013
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by Unica on Jun 22, 2016 19:18:49 GMT 1, Unsigned and ยฃ5k plus tax. They had the same rules for buying p13 and several of them have already been auctioned publicly. It's unlikely that they would enforce anything, but it is possible.
Unsigned and ยฃ5k plus tax. They had the same rules for buying p13 and several of them have already been auctioned publicly. It's unlikely that they would enforce anything, but it is possible. Hmm, not sure if I could risk it especially for an unsigned print. I'd like to think I could keep it for a long time but you never know how ones financial situation could change. |
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Pawel
Junior Member
๐จ๏ธ 3,801
๐๐ป 3,274
June 2015
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by Pawel on Jun 22, 2016 19:57:43 GMT 1, If only I could afford it...
If only I could afford it...
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Dibbs 45
Junior Member
๐จ๏ธ 3,913
๐๐ป 4,881
October 2012
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by Dibbs 45 on Jun 22, 2016 21:21:40 GMT 1, As far as I know most of GR prints from Serpertine were not signed, well the editions of 500. I think the price would be a little different if they were. Still love his work though.
As far as I know most of GR prints from Serpertine were not signed, well the editions of 500. I think the price would be a little different if they were. Still love his work though.
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rufas
New Member
๐จ๏ธ 70
๐๐ป 71
December 2015
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by rufas on Jun 22, 2016 21:26:11 GMT 1, Would love one, couldn't possibly afford one. Was hoping they would be in the price range of P8-11, see that they are considerably bigger.
Would love one, couldn't possibly afford one. Was hoping they would be in the price range of P8-11, see that they are considerably bigger.
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cmodart
Junior Member
๐จ๏ธ 1,568
๐๐ป 1,864
March 2014
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by cmodart on Jun 22, 2016 21:36:17 GMT 1, trying to go on ONE of these
they're huge. the non-display isn't enforced.
trying to go on ONE of these
they're huge. the non-display isn't enforced.
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nawf
New Member
๐จ๏ธ 91
๐๐ป 69
November 2015
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by nawf on Jun 22, 2016 21:42:16 GMT 1, They look lovely. Wander if they'd let me buy them through my business or if it has to be to a private individual?
Need to see them for real at that price though. Wasn't too impressed with the print quality of the last fence one when I saw it
They look lovely. Wander if they'd let me buy them through my business or if it has to be to a private individual?
Need to see them for real at that price though. Wasn't too impressed with the print quality of the last fence one when I saw it
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Pawel
Junior Member
๐จ๏ธ 3,801
๐๐ป 3,274
June 2015
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by Pawel on Jun 22, 2016 21:46:23 GMT 1, Would love one, couldn't possibly afford one. Was hoping they would be in the price range of P8-11, see that they are considerably bigger.
Would love one, couldn't possibly afford one. Was hoping they would be in the price range of P8-11, see that they are considerably bigger. Weren't the P8-11 30cm/30cm or something like that? Not really surprising these are a tad more expensive. |
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therivler1
New Member
๐จ๏ธ 986
๐๐ป 477
July 2011
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by therivler1 on Jun 22, 2016 21:48:59 GMT 1, very tempting. thanks for the heads up.
very tempting. thanks for the heads up.
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Pawel
Junior Member
๐จ๏ธ 3,801
๐๐ป 3,274
June 2015
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by Pawel on Jun 22, 2016 22:02:39 GMT 1, They look lovely. Wander if they'd let me buy them through my business or if it has to be to a private individual? Need to see them for real at that price though. Wasn't too impressed with the print quality of the last fence one when I saw it
Anyone could comment on it?
They look lovely. Wander if they'd let me buy them through my business or if it has to be to a private individual? Need to see them for real at that price though. Wasn't too impressed with the print quality of the last fence one when I saw it Could you elaborate a bit more on the print quality? Anyone could comment on it? |
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Kawsisking
New Member
๐จ๏ธ 275
๐๐ป 86
June 2015
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Gerhard Richter ๐ฉ๐ช Abstract โข Contemporary Art โข New Relea, by Kawsisking on Jun 22, 2016 22:05:59 GMT 1, Appears ยฃ5000 / each. They are somewhat larger though, 100 x 200cm.
Appears ยฃ5000 / each. They are somewhat larger though, 100 x 200cm. Where do you see that price? That's pretty good value considering how large they are. |
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