Rsyok
Junior Member
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January 2008
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The-Art-Form Magazine π, by Rsyok on Jul 23, 2017 11:32:01 GMT 1, It's not about conforming..it's about respectfully being part of a community - you just seem to becoming more and more antagonistic, regardless of the topic. I disagree with the thread. Shall I sit here in silence?
The thread was started from a complaint for lack of female artists in a magazine. So gender is up for debate. A long list of artists would be just dull. I rate artwork on visual quality and my own taste. It does happen to be that a lot of my favourites are female.
It's not about conforming..it's about respectfully being part of a community - you just seem to becoming more and more antagonistic, regardless of the topic. I disagree with the thread. Shall I sit here in silence? The thread was started from a complaint for lack of female artists in a magazine. So gender is up for debate. A long list of artists would be just dull. I rate artwork on visual quality and my own taste. It does happen to be that a lot of my favourites are female. |
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January 1970
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The-Art-Form Magazine π, by Deleted on Jul 23, 2017 11:36:29 GMT 1, Anyone else likes Holly Frean's work? Recently had a small exhibition in Paul Smith's Albemarle street store.
Anyone else likes Holly Frean's work? Recently had a small exhibition in Paul Smith's Albemarle street store. |
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Deleted
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January 1970
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The-Art-Form Magazine π, by Deleted on Jul 23, 2017 11:40:00 GMT 1, Anyone else likes Holly Frean's work? Recently had a small exhibition in Paul Smith's Albemarle street store.
I really like that one
Anyone else likes Holly Frean's work? Recently had a small exhibition in Paul Smith's Albemarle street store. I really like that one |
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Deleted
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January 1970
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The-Art-Form Magazine π, by Deleted on Jul 23, 2017 11:41:24 GMT 1, Has anyone mentioned Gill Button?
http://instagram.com/p/BW4jb07g5Uj
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Deleted
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January 1970
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The-Art-Form Magazine π, by Deleted on Jul 23, 2017 11:46:54 GMT 1, Great thread if you skip out page 4. That Cornelia Parker print is brilliant. Was it from an edition?
Great thread if you skip out page 4. That Cornelia Parker print is brilliant. Was it from an edition? Edition of 100 ling. |
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The-Art-Form Magazine π, by Daniel Silk on Jul 23, 2017 11:52:09 GMT 1,
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January 1970
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Seems I have my fair share of female artists in my collection. From left to right: Janet Nathan (Patrick Caulfield's widow ((is that sexists to point that out?!))), Mali Morris and Joyce Kozloff. If you don't know Joyce Kozloff's work then check out her 'Targets' piece, bloody amazing! Click 'Overview' on the top right, then middle image of third row, then 'read description' - www.joycekozloff.net/
Joyce Kozloff: Targets & Rocking the Cradle
Targets is a 9β walk-in globe constructed in 24 sections, each of which is
painted with an aerial map of a place that was bombed by the US between
1945 and 2000. It was conceived during a yearlong residency at the
American Academy in Rome. Its physical form was inspired by the oculus of the
Pantheon and the dome of Bramanteβs Tempietto.
The aerial maps that line the interior are copied from official tactical pilotage
charts issued by the National Oceanic and Atmospheric Administration and the
US Department of Commerce and are used by all pilots, civilian and military.
These painted charts incorporate the instructions on the government documents
including no-fly zones and the presence of oil fields. Some of the sections are
inverted, laid sideways or upside down, forcing the viewer to twist to read
place names, reflecting the way airplanes swoop above the earth. There is a
disorienting echo inside the globe, so that visitorsβ voices are amplified if they
speak to one another from within, creating a kind of claustrophobia. The
selection of sites is based on Killing Hope by historian William Blum (Monroe,
ME: Common Courage Press, 1995).
βTargetsβ speaks of the artistβs concern about the barbarity of aerial warfare.
We are constantly told that our air force has incurred no casualties while
dropping bombs on the enemy, but we hear very little about the victims, often
referred to as βcollateral damage.β As the idea evolved, it became clear that it
wasnβt about a particular war, but fifty-five years of US aerial bombardment.
China 1945-46 Guatemala 1960 Guatemala 1967-69 Iraq 1991-2000
Korea 1950-53 Congo 1964 Grenada 1983 Sudan 1998
China 1950-53 Peru 1965 Libya 1986 Libya 1998
Guatemala 1954 Laos 1964-73 El Salvador 1980βs Afghanistan 1998
Indonesia 1958 Vietnam 1961-73 Nicaragua 1980βs Yugoslavia 1999
Cuba 1959 Cambodia 1969-70 Panama 1989 Colombia 1990βs-2000
βRocking the Cradleβ was produced during the invasion of Iraq, when for the
first ten days, The New York Times ran diagrams of the allied troop movements
as they approached Baghdad, finally encircling it. On the walls of the cradle,
Kozloff painted each of those diagrams, one over the other, above a map of
ancient Mesopotamia. The cradle is too large for a baby too small for an
adult. |
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nobokov
Junior Member
π¨οΈ 4,948
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February 2016
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The-Art-Form Magazine π, by nobokov on Jul 23, 2017 11:58:27 GMT 1, It's definitely a relevant subject to highlight female artists. It may be 2017, but the industry is still vastly skewed toward male artists. Check out this link if you're interested.
http://instagram.com/p/BW0Lrj-ltDA
It's definitely a relevant subject to highlight female artists. It may be 2017, but the industry is still vastly skewed toward male artists. Check out this link if you're interested. http://instagram.com/p/BW0Lrj-ltDA |
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Deleted
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January 1970
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The-Art-Form Magazine π, by Deleted on Jul 23, 2017 12:07:10 GMT 1, Wow, love those drawings!
Wow, love those drawings! |
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The-Art-Form Magazine π, by Daniel Silk on Jul 23, 2017 12:43:18 GMT 1, I've had a few emails complaining that issue 2 of The-Art-Form only featured male artists... Who's your favourite female artist?
To me when looking at art it just doesn't cross my mind if the person who created it was Male or Female, or feel that has any importance.
I've had a few emails complaining that issue 2 of The-Art-Form only featured male artists... Who's your favourite female artist? It's very sad that you got a complaint like that. To me when looking at art it just doesn't cross my mind if the person who created it was Male or Female, or feel that has any importance. |
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Deleted
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January 1970
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The-Art-Form Magazine π, by Deleted on Jul 23, 2017 12:44:35 GMT 1, Stella Vine
Stella Vine
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Artfan13
New Member
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March 2017
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The-Art-Form Magazine π, by Artfan13 on Jul 23, 2017 12:58:51 GMT 1, I like bonnie and Clyde and Sandra Chervrier
And don't know if this counts...but half of snik is female  absolutely love snik's work at the moment.
I like bonnie and Clyde and Sandra Chervrier And don't know if this counts...but half of snik is female absolutely love snik's work at the moment. |
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The-Art-Form Magazine π, by Coach on Jul 23, 2017 13:06:44 GMT 1, I don't know about vegan but he is boring Ahh someone dares question this cock swinging bollox and all the lads get upset.. boo f**kinghoo
I thought the reason for the thread was explained in the opening post.
It's a shame if my posts offended you.
I don't know about vegan but he is boring Ahh someone dares question this cock swinging bollox and all the lads get upset.. boo f**kinghoo I thought the reason for the thread was explained in the opening post. It's a shame if my posts offended you. |
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The-Art-Form Magazine π, by Coach on Jul 23, 2017 13:16:50 GMT 1, Should we really be discussing the sex of an artist in 2017? Could it be less important.. This is such an important question, and it deserves a detailed response, which sadly this medium precludes. However, I would like to point you to some surveys and statistics which were conducted first in the USA (mid-1980's) and more recently in Europe (2016) by the 'Guerrilla Girls'. If you accept the premise that women are as equally talented and creative as men, then one would also expect there to be an almost 50:50 split in female artists being exhibited in museums and galleries. However this is sadly so far from what actually happens in reality, that one has to question systems that the art-world institutions utilise. The famous ad campaign by the Guerrilla girls back in the 80's, is still now sadly relevant today...  Β They formed in response to the International Survey of Painting and Sculpture held in 1984 at the Museum of Modern Art, New York. The exhibition included the work of 169 artists, less than 10% of whom were women. Although female artists had played a central role in experimental American art of the 1970s, with the economic boom of the early 1980s in which artwork prices rose steeply, their presence in museum and gallery exhibitions diminished dramatically.  Β This exhibition in 2016/2017 details responses from curators in Europe: You should read this... GUERRILLA GIRLS: IS IT EVEN WORSE IN EUROPE October, Whitechapel Gallery, London 2016-March 2017 Guerrilla Girls: Is it even worse in Europe? explores diversity in European art organisations. It presents responses to questionnaires sent to 383 directors about their exhibitions programme and collections. The questions were formulated to critically look at the narratives that are produced by cultural institutions. 
Well said my friend. I mentioned them on page 2, but your post has, as usual, much greater substance.
Should we really be discussing the sex of an artist in 2017? Could it be less important.. This is such an important question, and it deserves a detailed response, which sadly this medium precludes. However, I would like to point you to some surveys and statistics which were conducted first in the USA (mid-1980's) and more recently in Europe (2016) by the 'Guerrilla Girls'. If you accept the premise that women are as equally talented and creative as men, then one would also expect there to be an almost 50:50 split in female artists being exhibited in museums and galleries. However this is sadly so far from what actually happens in reality, that one has to question systems that the art-world institutions utilise. The famous ad campaign by the Guerrilla girls back in the 80's, is still now sadly relevant today... Β They formed in response to the International Survey of Painting and Sculpture held in 1984 at the Museum of Modern Art, New York. The exhibition included the work of 169 artists, less than 10% of whom were women. Although female artists had played a central role in experimental American art of the 1970s, with the economic boom of the early 1980s in which artwork prices rose steeply, their presence in museum and gallery exhibitions diminished dramatically. Β This exhibition in 2016/2017 details responses from curators in Europe: You should read this... GUERRILLA GIRLS: IS IT EVEN WORSE IN EUROPE October, Whitechapel Gallery, London 2016-March 2017 Guerrilla Girls: Is it even worse in Europe? explores diversity in European art organisations. It presents responses to questionnaires sent to 383 directors about their exhibitions programme and collections. The questions were formulated to critically look at the narratives that are produced by cultural institutions. Well said my friend. I mentioned them on page 2, but your post has, as usual, much greater substance. |
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nik
New Member
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May 2014
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The-Art-Form Magazine π, by nik on Jul 23, 2017 13:46:52 GMT 1, I put my head on the guillotin and says Sandra Chevrier. Always liked here work and still do. If it's possible I would also say Hera from Herakut.
I put my head on the guillotin and says Sandra Chevrier. Always liked here work and still do. If it's possible I would also say Hera from Herakut.
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Number48
New Member
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July 2015
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The-Art-Form Magazine π, by Number48 on Jul 23, 2017 13:48:41 GMT 1,
Gill Button is an artist I was introduced to on this forum / I reached out to her and purchased a piece from her. Such a nice lady and I really like her work.
Good mention @ekap
Gill Button is an artist I was introduced to on this forum / I reached out to her and purchased a piece from her. Such a nice lady and I really like her work. Good mention @ekap |
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matze
New Member
π¨οΈ 14
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January 2016
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The-Art-Form Magazine π, by matze on Jul 23, 2017 14:09:35 GMT 1, My favourite female artist must be Katja Loher - her installations are amazing and I especially like the bubbles sheΒ΄s done!
By the way: My favourite Asian Food is Pad Thai and I hope that saying this does NOT make me a racist! ;-)
My favourite female artist must be Katja Loher - her installations are amazing and I especially like the bubbles sheΒ΄s done!
By the way: My favourite Asian Food is Pad Thai and I hope that saying this does NOT make me a racist! ;-) |
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spirit
Junior Member
π¨οΈ 2,956
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August 2007
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The-Art-Form Magazine π, by spirit on Jul 23, 2017 14:42:23 GMT 1, I've had a few emails complaining that issue 2 of The-Art-Form only featured male artists... Who's your favourite female artist? It's very sad that you got a complaint like that. To me when looking at art it just doesn't cross my mind if the person who created it was Male or Female, or feel that has any importance.
I think the complaint was justified - its important that artists of all genders are represented.
To his credit, the OP clearly agrees and is researching female artists for future issues of which there are many great ones mentioned already in this thread.
I'll throw in Amelia Philips whose work I was lucky enough to see recently - she makes unique prints from decayed/rusted etching plates which are absolutely stunning.
www.ameliaphillipsfineart.com/untitled-c1wtk
I've had a few emails complaining that issue 2 of The-Art-Form only featured male artists... Who's your favourite female artist? It's very sad that you got a complaint like that. To me when looking at art it just doesn't cross my mind if the person who created it was Male or Female, or feel that has any importance. I think the complaint was justified - its important that artists of all genders are represented. To his credit, the OP clearly agrees and is researching female artists for future issues of which there are many great ones mentioned already in this thread. I'll throw in Amelia Philips whose work I was lucky enough to see recently - she makes unique prints from decayed/rusted etching plates which are absolutely stunning. www.ameliaphillipsfineart.com/untitled-c1wtk |
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spirit
Junior Member
π¨οΈ 2,956
ππ» 516
August 2007
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The-Art-Form Magazine π, by spirit on Jul 23, 2017 14:43:53 GMT 1, My favourite Asian Food is Pad Thai and I hope that saying this does NOT make me a racist! ;-)
Not racist. Culinarist perhaps....
My favourite Asian Food is Pad Thai and I hope that saying this does NOT make me a racist! ;-) Not racist. Culinarist perhaps.... |
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Everyone Owes
Junior Member
π¨οΈ 1,284
ππ» 1,423
January 2015
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The-Art-Form Magazine π, by Everyone Owes on Jul 23, 2017 19:36:54 GMT 1, Cindy Sherman
Holly Thoburn
Katrin Fridriks
Rachel Whiteread
Polly Morgan
Cindy Sherman
Holly Thoburn
Katrin Fridriks
Rachel Whiteread
Polly Morgan
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nandaman
New Member
π¨οΈ 457
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December 2010
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The-Art-Form Magazine π, by nandaman on Jul 23, 2017 19:53:33 GMT 1, I like Miss Bugs (1/2 of the duo), Lora Zombie, Faith47, Swoon, Stina Persson, and an instagram artist I found (Helen Martin) who goes by elly_what_the_funk on instagram. Those are my current favorite female artists....but my taste changes daily with new exposure to new artists!
I like Miss Bugs (1/2 of the duo), Lora Zombie, Faith47, Swoon, Stina Persson, and an instagram artist I found (Helen Martin) who goes by elly_what_the_funk on instagram. Those are my current favorite female artists....but my taste changes daily with new exposure to new artists!
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THE-ART-FORM
Art Media
New Member
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August 2014
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The-Art-Form Magazine π, by THE-ART-FORM on Jul 23, 2017 20:11:55 GMT 1, Thanks for all your suggestions!
Some of the artists suggested I have already contacted for previous issues.... I will definitely check out the work of the other artists mentioned.
To answer a few of the posts...
Each issue of The-Art-Form features six artists, for issue 2 I did have a female artist lined up but she dropped out due to work commitments. The other female artists I asked either didn't want to be featured, didn't have time or didn't reply to my email. It definitely wasn't because I only asked men to be featured.
When putting together an issue I send out emails to many artists who's work I like - irrespective of gender, age or colour (I had another email commenting on the lack of artists of colour in the magazine).
The main reason I pick an artist is purely because I like their art!
Issue 3 will published sometime next year...
Thanks for all your suggestions! Some of the artists suggested I have already contacted for previous issues.... I will definitely check out the work of the other artists mentioned. To answer a few of the posts... Each issue of The-Art-Form features six artists, for issue 2 I did have a female artist lined up but she dropped out due to work commitments. The other female artists I asked either didn't want to be featured, didn't have time or didn't reply to my email. It definitely wasn't because I only asked men to be featured. When putting together an issue I send out emails to many artists who's work I like - irrespective of gender, age or colour (I had another email commenting on the lack of artists of colour in the magazine). The main reason I pick an artist is purely because I like their art! Issue 3 will published sometime next year... |
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mfb
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Member is Online
April 2017
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The-Art-Form Magazine π, by mfb on Jul 23, 2017 22:02:08 GMT 1, Sandra Chevrier
Sandra Chevrier
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January 1970
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The-Art-Form Magazine π, by Deleted on Jul 24, 2017 12:03:30 GMT 1, Kate Beckinsale
Kate Beckinsale
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met
Junior Member
π¨οΈ 2,797
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June 2009
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The-Art-Form Magazine π, by met on Jul 24, 2017 16:32:59 GMT 1, We shouldn't forget the amazing Cornelia Parker. I imagine not to everyone's cup of tea here. I like conceptual art and bought her print, Stolen Thunder (once removed) from this years RA Summer Exhibition. Do you have a picture of the print?
 Can't work out how to access direct image from Imgur on mobile so link will have to do for now. Thank you. I need to research what I'm looking at there. I need to understand it.
Well coach, I had to buy it, I just stood there and was like, wow, it really resonated to me. On reflection I wonder if she is subconsciously referencing Kasimir Malevich's Black Square painting (?) (although this is an oblong) and so this is the 'Stolen Thunder' perhaps. I know a year or so ago she did a similar print, obviously numbered 799 and therefore I'm assuming thats what the '(once removed)' in the title refers to. But also has the thunder been stolen because its an edition, reproduced and sold over and over again? It almost becomes a strange sort of interactive, participation piece, not complete until the buyers purchase and add their red dots as the edition is sold. Is it a reference to modern multiples? Those were/are my thoughts about the piece. But then again I'm a thick Yorkshire oik and here is what Parker's gallery, Firth Street Gallery said about her 2013 piece: 'For this work, Cornelia Parker visited the 2012 Royal Academy Summer Exhibition and took a clandestine photo of one of the most successful prints in the show. It was (as is traditional at the RA) plastered in red dots to mark the sales. A rush of covetousness came over her. Not able to make a representational image that might accrue such sales, Parker resorted to abstraction. Digitally erasing the image that she had stolen, Parker exhibited the photograph of the print as her own work in the 2013 RA Summer show, retaining the red spots as part of the piece in the hope of accruing some of her own sales by a Pavlovian response from the audience.' So I was kinda talking b**locks :-) but it sounded good and I had a go. I'll definitely be adding the red dots to my framed piece. It's fascinating. But I still haven't worked out the various parts of the artwork; I will do my own research as I'm intrigued. I love conceptual art like this. Thank you for sharing it.
A brief explanation:
1. The editioned print with catalogue number 799 did rather well at one of the previous Summer Exhibitions at the Royal Academy of Arts. Sales of item 799 are represented by the 14 red dots stuck on its frame. [Each larger-sized dot represents multiple sales (either x5 or x10).]
2. Cornelia Parker took a photo of this work by another artist as it hung on the wall during that year's Summer Exhibition.
3. Parker then produced an editioned print of her photograph, and entered it into this year's Summer Exhibition. The print has catalogue number 924 and β based on the number of red dots stuck on its frame β is also selling well.
____________
Regular visitors of the Summer Exhibition will be very familiar with these works by Parker.
As for myself, I am too familiar with them.
What was β at least for the first couple of years β fun and whimsical soon afterwards became conceptually repetitive. And tiresome. Ever-decreasing circles.
To my eyes, this just borders on an abuse of the free pass Parker gets (like all Royal Academicians) with guaranteed entries in the Summer Exhibition.
____________
By way of further illustration, here's a Parker entry β catalogue number 588 β from 2015:
From the same image, you can also see her entry at the 2014 Summer Exhibition (catalogue number 105), as well as her entry in 2013. A photo of a photo of a photo.
It's up to each viewer to determine at which point the law of diminished returns starts kicking into gear.
As the spirit wanes, the form appears.
We shouldn't forget the amazing Cornelia Parker. I imagine not to everyone's cup of tea here. I like conceptual art and bought her print, Stolen Thunder (once removed) from this years RA Summer Exhibition. Do you have a picture of the print? Can't work out how to access direct image from Imgur on mobile so link will have to do for now. Thank you. I need to research what I'm looking at there. I need to understand it. Well coach, I had to buy it, I just stood there and was like, wow, it really resonated to me. On reflection I wonder if she is subconsciously referencing Kasimir Malevich's Black Square painting (?) (although this is an oblong) and so this is the 'Stolen Thunder' perhaps. I know a year or so ago she did a similar print, obviously numbered 799 and therefore I'm assuming thats what the '(once removed)' in the title refers to. But also has the thunder been stolen because its an edition, reproduced and sold over and over again? It almost becomes a strange sort of interactive, participation piece, not complete until the buyers purchase and add their red dots as the edition is sold. Is it a reference to modern multiples? Those were/are my thoughts about the piece. But then again I'm a thick Yorkshire oik and here is what Parker's gallery, Firth Street Gallery said about her 2013 piece: 'For this work, Cornelia Parker visited the 2012 Royal Academy Summer Exhibition and took a clandestine photo of one of the most successful prints in the show. It was (as is traditional at the RA) plastered in red dots to mark the sales. A rush of covetousness came over her. Not able to make a representational image that might accrue such sales, Parker resorted to abstraction. Digitally erasing the image that she had stolen, Parker exhibited the photograph of the print as her own work in the 2013 RA Summer show, retaining the red spots as part of the piece in the hope of accruing some of her own sales by a Pavlovian response from the audience.' So I was kinda talking b**locks :-) but it sounded good and I had a go. I'll definitely be adding the red dots to my framed piece. It's fascinating. But I still haven't worked out the various parts of the artwork; I will do my own research as I'm intrigued. I love conceptual art like this. Thank you for sharing it. : 1. The editioned print with catalogue number 799 did rather well at one of the previous Summer Exhibitions at the Royal Academy of Arts. Sales of item 799 are represented by the 14 red dots stuck on its frame. [Each larger-sized dot represents multiple sales (either x5 or x10).] 2. Cornelia Parker took a photo of this work by another artist as it hung on the wall during that year's Summer Exhibition. 3. Parker then produced an editioned print of her photograph, and entered it into this year's Summer Exhibition. The print has catalogue number 924 and β based on the number of red dots stuck on its frame β is also selling well. ____________ Regular visitors of the Summer Exhibition will be very familiar with these works by Parker. As for myself, I am too familiar with them. What was β at least for the first couple of years β fun and whimsical soon afterwards became conceptually repetitive. And tiresome. Ever-decreasing circles. To my eyes, this just borders on an abuse of the free pass Parker gets (like all Royal Academicians) with guaranteed entries in the Summer Exhibition. ____________ By way of further illustration, here's a Parker entry β catalogue number 588 β from 2015: From the same image, you can also see her entry at the 2014 Summer Exhibition (catalogue number 105), as well as her entry in 2013. A photo of a photo of a photo. It's up to each viewer to determine at which point the law of diminished returns starts kicking into gear. As the spirit wanes, the form appears. |
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Monky
New Member
π¨οΈ 413
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December 2008
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The-Art-Form Magazine π, by Monky on Jul 26, 2017 10:46:23 GMT 1, It is my intention for the next year to support female artists by purchasing their work only. There are many male artists I love and adore the work of. However for me, I feel I need to stand by my principles of seeking equality and equity if outcome for females. As highlighted in the guerilla girls research women are underrepresented within many fields, art being just one of them.
Back on topic, some of my favourite female artists:
Alex Garant
Gill Button
Lucy McLauchlan
MadC
Meredith Marsone
Maggi Hambling
Jess Wilson
Andrea Von Bujdoss
Liz Vranesh
Leilani Bustamante
Maddie McMahon
Jaclyn Alderete
Hanna Ilczyszyn
Rosie Galloway Smith
Among many others
It is my intention for the next year to support female artists by purchasing their work only. There are many male artists I love and adore the work of. However for me, I feel I need to stand by my principles of seeking equality and equity if outcome for females. As highlighted in the guerilla girls research women are underrepresented within many fields, art being just one of them.
Back on topic, some of my favourite female artists:
Alex Garant
Gill Button
Lucy McLauchlan
MadC
Meredith Marsone
Maggi Hambling
Jess Wilson
Andrea Von Bujdoss
Liz Vranesh
Leilani Bustamante
Maddie McMahon
Jaclyn Alderete
Hanna Ilczyszyn
Rosie Galloway Smith
Among many others
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THE-ART-FORM
Art Media
New Member
π¨οΈ 126
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August 2014
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The-Art-Form Magazine π, by THE-ART-FORM on Aug 8, 2017 21:30:38 GMT 1, POSE is offering the chance to win his print Couples Therapy 2 - just go to his instagram @tenderj and repost the post about the competition.
POSE is offering the chance to win his print Couples Therapy 2 - just go to his instagram @tenderj and repost the post about the competition.
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absolutely love snik's work at the moment. 
