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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by lazaridesnewcastle on Aug 18, 2009 16:01:58 GMT 1,
Lazarides Newcastle Proudly Present
MODE 2
'Reality, Fantasy, And The Web'
21st August - 10th October 2009
Widely considered to be one of the most influential street artists ever, Mode 2 continues to push eroticism in his gallery work, often quite explicitly, while trying to keep men and women engaged in an egalitarian dialogue about sexuality. Capturing movement and energy, freezing the action at its most crucial stage, Modeβs work has always focused on issues close to him: love, lust, relationships, hip hop culture in all its aspects, clubbing, hanging out, the environment and motherhood.
Constructed and created entirely on-site in the Newcastle gallery basement, Mode has utilised the practical and modular qualities of cardboard, building up his painting surfaces with a patchwork mosaic assembly of differing textures and shades, cutting and juxtaposing well over 100 separate pieces into compositions until they found a particular harmony in his eye. Only after completing this laborious task did he move on to the actual sketching and painting with pastels and acrylic itself.
Besides these new paintings, there's the added bonus of the ground floor of the gallery showing a large number of his sketches, something of a first for Mode; as he's never before allowed us to look behind his more public painting work.
Lazarides Newcastle Proudly Present
MODE 2
'Reality, Fantasy, And The Web'
21st August - 10th October 2009
Widely considered to be one of the most influential street artists ever, Mode 2 continues to push eroticism in his gallery work, often quite explicitly, while trying to keep men and women engaged in an egalitarian dialogue about sexuality. Capturing movement and energy, freezing the action at its most crucial stage, Modeβs work has always focused on issues close to him: love, lust, relationships, hip hop culture in all its aspects, clubbing, hanging out, the environment and motherhood.
Constructed and created entirely on-site in the Newcastle gallery basement, Mode has utilised the practical and modular qualities of cardboard, building up his painting surfaces with a patchwork mosaic assembly of differing textures and shades, cutting and juxtaposing well over 100 separate pieces into compositions until they found a particular harmony in his eye. Only after completing this laborious task did he move on to the actual sketching and painting with pastels and acrylic itself.
Besides these new paintings, there's the added bonus of the ground floor of the gallery showing a large number of his sketches, something of a first for Mode; as he's never before allowed us to look behind his more public painting work. |
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by lazaridesnewcastle on Aug 18, 2009 16:03:28 GMT 1, 
Mode 2 was born in Mauritius in 1967, spending his childhood under the sun of the Indian Ocean, before moving to the UK in July 1976. Punk had just started its own cultural revolution, while reggae and dub were ever present in the neighbourhood βbluesβ parties, as well as from the first real booming systems in the cars that would ever so often drive casually through the streets of Lewisham, South-East London.
He did all of his schooling there, and while already drawing since as far back as he can remember, he was spending his youth deep into comics, sci-fi and fantasy literature, as well as role-playing games such as βDungeons & Dragonsβ. All these influences, as well as the music coming from the radio, the TV and the street, were reflected in what he drew or painted; from comic strip characters to lead figurines, even to the odd oil portrait or landscape painting.
After his school exams in summer β84, he started hanging out at Covent Garden, the hub of the London Hip Hop scene, which he had stumbled upon the year before. His drawing ability led him to pick up the marker and spray-can, and he was soon trying to make a name for himself, as part of a crew called The Chrome Angelz.
Mode 2 in Covent Garden, 1985
From that summer on, everything else came second to Hip Hop, and to that frantic rush to empty as many cans of paint as possible in the most beautiful way that he could, while filling up black-books full of letters and characters.
He would skip school just to travel to Paris, with money earned from his first commissioned jobs, and there, alongside the legendary Bando, he became part of that small group of first generation European graffiti-writers who set down the foundations for others to follow. They honed their talent for sure, but he would often be the first to admit that they were also lucky to be in the right place at the right time, and surrounded by a lot of inspiring cultural stimuli, as well as the even more inspiring actors on the scene.
Spraycan Art, Thames & Hudson, 1987
Then, in 1987, the cover of βSpraycan Artβ exported his name and his characters to every corner of the planet where the culture had taken hold. The publishers, Thames & Hudson, thought that the character he had done in Paris in September β85 would best project the content of the book to a wider audience, despite Modeβs misgivings about being placed ahead of other artists from the New York scene.
Passionate about culture in general, he had started taking photos back in 1985, capturing the freshness, the vibe and the energy of the evolving Covent Garden scene around him, taken by the uniqueness of this phenomenon known as Hip Hop; where music, visual art, spoken word, percussion through the turntables, or corporal expression through dance all fed off of each other. This has gone on ever since; burning rolls and rolls of 35mm film in compact cameras, trying out digital too, but not finding a compact that would do what light does to film emulsion. He has never really made much use of the archives that had cost him so much time and money to build, aside from a few photos in the βNever Too Lateβ¦β book printed by the Lazarides Gallery in London, or else for a projection at one of the βToxicβ parties in Paris; back in early 2004.
The Hip Hop scene, as opposed to the rap scene, has always remained a source of inspiration for him; whether being on the edge of a circle with b-boys and b-girls going for theirs, or else having the luck to witness and hear a freestyle cipher in full flow. This is why heβs still doing the posters for the Battle Of The Year, for instance, while also sitting on its committee and remaining active for the promotion of dance as an art form in itself; not just an accessory to some new dance track video or product advertising.
Meeting Swifty at the end of β96, when his studio was part of the βProgress In Workβ show at the Blue Note Club in Hoxton; was also another turning point in his life. It got him back into the London scene again, though from a different perspective than in his previous years in Hip Hop; making flyer illustrations for the Monday nights at Bar Rumba, which led on to other collaborations with the likes of Ross Allen and Jazztronik in Japan.
Dancing Crowd for Jazztronikβs En:Code album
Dance plays a major aspect in Modeβs work, reflecting the parties, the atmosphere, the mix of people, and the many different sounds that he would allow to touch his senses. He would hang at parties of his choice, as well as ones he stumbled into by accident, and whether they were any good or downright bad, he would stay on and watch how people project themselves in public, or how they interact with friends or strangers, while at the same time reacting to the atmosphere and the music. Though sometimes taking photos for future reference, he would normally just observe with his own eye, and draw from memory at a later date.
Mode 2 has always been a bit of a voyeur, especially with regards to the ladies; whether they are on the street, on the train, in a club or restaurant. Not a big fan of exhibitionists, he prefers to see what somebody wouldnβt wish to show, and also likes to observe from afar; saying that thereβs a distance from which people donβt think theyβre being watched, at which point they let down their guard, and things become more interesting.
Heβs always been obsessed by the female figure, which he seems to really enjoy drawing, whether from his own imagination, as life drawing, from his own photos, or even resorting to the odd sample once in a while. He tries not to have a fixation on any given body-type or shape, trying to draw more natural curves, while also trying to push for an indeterminate racial type which makes it easier for the female spectator to identify with.
He has collaborated over several years with the Coco de Mer store in Covent Garden, having been sitting with some of their customers or members of staff in one of their changing booths, and drawing them in clothing and accessories of their choice.
Weseberg Museum, Bremmen, June 2009
Having recently experimented with using cardboard as a painting support, Mode grew to enjoy its practical and modular qualities; building up his painting surfaces with a patchwork or mosaic assembly of cardboard coming in different square or rectangular shapes and sizes. Easy to find, inexpensive, and providing an alternative to the linen or fabrics that he normally uses, Mode has decided to construct everything on site, for his new show, cutting and juxtaposing many pieces of cardboard into compositions that reach a certain harmony to his eye. Only then will he move to the actual sketching and painting itself.
Preparations at Lazarides Newcastle, August 2009
Working once again within a restrictive time-frame, maybe a habit left over from painting outdoors and illegally, Mode 2 will be using pastels and acrylics to produce the new work, as theyβre the quickest and most practical alternative to spray-paint, minus the toxic fumes on top.
Mode 2 was born in Mauritius in 1967, spending his childhood under the sun of the Indian Ocean, before moving to the UK in July 1976. Punk had just started its own cultural revolution, while reggae and dub were ever present in the neighbourhood βbluesβ parties, as well as from the first real booming systems in the cars that would ever so often drive casually through the streets of Lewisham, South-East London. He did all of his schooling there, and while already drawing since as far back as he can remember, he was spending his youth deep into comics, sci-fi and fantasy literature, as well as role-playing games such as βDungeons & Dragonsβ. All these influences, as well as the music coming from the radio, the TV and the street, were reflected in what he drew or painted; from comic strip characters to lead figurines, even to the odd oil portrait or landscape painting. After his school exams in summer β84, he started hanging out at Covent Garden, the hub of the London Hip Hop scene, which he had stumbled upon the year before. His drawing ability led him to pick up the marker and spray-can, and he was soon trying to make a name for himself, as part of a crew called The Chrome Angelz. Mode 2 in Covent Garden, 1985 From that summer on, everything else came second to Hip Hop, and to that frantic rush to empty as many cans of paint as possible in the most beautiful way that he could, while filling up black-books full of letters and characters. He would skip school just to travel to Paris, with money earned from his first commissioned jobs, and there, alongside the legendary Bando, he became part of that small group of first generation European graffiti-writers who set down the foundations for others to follow. They honed their talent for sure, but he would often be the first to admit that they were also lucky to be in the right place at the right time, and surrounded by a lot of inspiring cultural stimuli, as well as the even more inspiring actors on the scene. Spraycan Art, Thames & Hudson, 1987 Then, in 1987, the cover of βSpraycan Artβ exported his name and his characters to every corner of the planet where the culture had taken hold. The publishers, Thames & Hudson, thought that the character he had done in Paris in September β85 would best project the content of the book to a wider audience, despite Modeβs misgivings about being placed ahead of other artists from the New York scene. Passionate about culture in general, he had started taking photos back in 1985, capturing the freshness, the vibe and the energy of the evolving Covent Garden scene around him, taken by the uniqueness of this phenomenon known as Hip Hop; where music, visual art, spoken word, percussion through the turntables, or corporal expression through dance all fed off of each other. This has gone on ever since; burning rolls and rolls of 35mm film in compact cameras, trying out digital too, but not finding a compact that would do what light does to film emulsion. He has never really made much use of the archives that had cost him so much time and money to build, aside from a few photos in the βNever Too Lateβ¦β book printed by the Lazarides Gallery in London, or else for a projection at one of the βToxicβ parties in Paris; back in early 2004. The Hip Hop scene, as opposed to the rap scene, has always remained a source of inspiration for him; whether being on the edge of a circle with b-boys and b-girls going for theirs, or else having the luck to witness and hear a freestyle cipher in full flow. This is why heβs still doing the posters for the Battle Of The Year, for instance, while also sitting on its committee and remaining active for the promotion of dance as an art form in itself; not just an accessory to some new dance track video or product advertising. Meeting Swifty at the end of β96, when his studio was part of the βProgress In Workβ show at the Blue Note Club in Hoxton; was also another turning point in his life. It got him back into the London scene again, though from a different perspective than in his previous years in Hip Hop; making flyer illustrations for the Monday nights at Bar Rumba, which led on to other collaborations with the likes of Ross Allen and Jazztronik in Japan. Dancing Crowd for Jazztronikβs En:Code album Dance plays a major aspect in Modeβs work, reflecting the parties, the atmosphere, the mix of people, and the many different sounds that he would allow to touch his senses. He would hang at parties of his choice, as well as ones he stumbled into by accident, and whether they were any good or downright bad, he would stay on and watch how people project themselves in public, or how they interact with friends or strangers, while at the same time reacting to the atmosphere and the music. Though sometimes taking photos for future reference, he would normally just observe with his own eye, and draw from memory at a later date.  Mode 2 has always been a bit of a voyeur, especially with regards to the ladies; whether they are on the street, on the train, in a club or restaurant. Not a big fan of exhibitionists, he prefers to see what somebody wouldnβt wish to show, and also likes to observe from afar; saying that thereβs a distance from which people donβt think theyβre being watched, at which point they let down their guard, and things become more interesting. Heβs always been obsessed by the female figure, which he seems to really enjoy drawing, whether from his own imagination, as life drawing, from his own photos, or even resorting to the odd sample once in a while. He tries not to have a fixation on any given body-type or shape, trying to draw more natural curves, while also trying to push for an indeterminate racial type which makes it easier for the female spectator to identify with. He has collaborated over several years with the Coco de Mer store in Covent Garden, having been sitting with some of their customers or members of staff in one of their changing booths, and drawing them in clothing and accessories of their choice. Weseberg Museum, Bremmen, June 2009 Having recently experimented with using cardboard as a painting support, Mode grew to enjoy its practical and modular qualities; building up his painting surfaces with a patchwork or mosaic assembly of cardboard coming in different square or rectangular shapes and sizes. Easy to find, inexpensive, and providing an alternative to the linen or fabrics that he normally uses, Mode has decided to construct everything on site, for his new show, cutting and juxtaposing many pieces of cardboard into compositions that reach a certain harmony to his eye. Only then will he move to the actual sketching and painting itself. Preparations at Lazarides Newcastle, August 2009
Working once again within a restrictive time-frame, maybe a habit left over from painting outdoors and illegally, Mode 2 will be using pastels and acrylics to produce the new work, as theyβre the quickest and most practical alternative to spray-paint, minus the toxic fumes on top. |
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by Daniel Silk on Aug 18, 2009 16:08:20 GMT 1, Should be a great show! Mode 2 has some amazing skill 
Should be a great show! Mode 2 has some amazing skill |
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by bazzj04 on Aug 18, 2009 16:20:24 GMT 1, Liking the new cardboard pieces , Looks a great show
Liking the new cardboard pieces , Looks a great show
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Replete
Artist
Junior Member
π¨οΈ 1,631
ππ» 39
March 2008
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by Replete on Aug 18, 2009 16:32:47 GMT 1, One of the first and still one of the best.
One of the first and still one of the best.
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by angel41 on Aug 18, 2009 19:02:40 GMT 1, Loved his early graffiti work and that cardboard piece above is marv!
Loved his early graffiti work and that cardboard piece above is marv!
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by Danny O'Connor on Aug 18, 2009 19:09:22 GMT 1, Agreed the piece on cardboard looks amazing! Mode2 is a true legend!
Agreed the piece on cardboard looks amazing! Mode2 is a true legend!
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nex
Junior Member
π¨οΈ 2,573
ππ» 1,819
February 2009
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by nex on Aug 27, 2009 15:12:24 GMT 1, some absolute bargains - well done Laz on pricing competitively Mode2 is a legend
some absolute bargains - well done Laz on pricing competitively Mode2 is a legend
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Karl Read
Artist
Junior Member
π¨οΈ 3,569
ππ» 637
April 2008
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by Karl Read on Aug 27, 2009 15:17:35 GMT 1, Great work, the sketches are reasonably priced. Too graphic for my walls though.
Great work, the sketches are reasonably priced. Too graphic for my walls though.
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elwheel
Junior Member
π¨οΈ 1,912
ππ» 232
September 2008
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by elwheel on Aug 27, 2009 15:27:30 GMT 1, I would love to have The Rose Garden but it would make my wife would divorce me. Not many mode2 streetpieces left here in Belfast now. Total legend ( not a mis-use of the word either).
I would love to have The Rose Garden but it would make my wife would divorce me. Not many mode2 streetpieces left here in Belfast now. Total legend ( not a mis-use of the word either).
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by Daniel Silk on Aug 27, 2009 15:33:55 GMT 1, Really nice sketches  I cant see them hanging around for long.
Surprised they dint sell out at the show.
Really nice sketches I cant see them hanging around for long. Surprised they dint sell out at the show. |
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burnz
New Member
π¨οΈ 124
ππ» 0
October 2009
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by burnz on Aug 27, 2009 16:56:59 GMT 1, loving the touch & feel sketch will look nice with this one ;D
Mode 2 is the man !!!!!
loving the touch & feel sketch will look nice with this one ;D Mode 2 is the man !!!!! |
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by Daniel Silk on Aug 28, 2009 0:44:29 GMT 1, Beautiful bit of printing on those Touch and Feel's  a POW classic!
Beautiful bit of printing on those Touch and Feel's a POW classic! |
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by cashman on Aug 28, 2009 4:42:08 GMT 1, Stunning body of work there...and the pricing puts a lot of other gallery's to shame
Great stuff LAZ
Stunning body of work there...and the pricing puts a lot of other gallery's to shame
Great stuff LAZ
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nacional
Junior Member
π¨οΈ 1,734
ππ» 227
August 2007
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by nacional on Aug 28, 2009 22:20:10 GMT 1, And these are where the windfall i spoke of on another thread has gone. Just bought Touch and another one can't remember name of now. Was tempted to go for the full on gash but keeping in mind missus and nipper went for a classy bit of tit...
And these are where the windfall i spoke of on another thread has gone. Just bought Touch and another one can't remember name of now. Was tempted to go for the full on gash but keeping in mind missus and nipper went for a classy bit of tit...
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by wizzy on Aug 28, 2009 22:22:43 GMT 1, Congrats on your decision Nacional!.
Congrats on your decision Nacional!.
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jimbob68
New Member
π¨οΈ 151
ππ» 1
January 2009
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by jimbob68 on Aug 30, 2009 20:43:50 GMT 1, beautiful warm and the most important thing , very well drawn
now I have discovered another new artist (For me of course!! ) thanks to the forum
thank you all!!!
beautiful warm and the most important thing , very well drawn
now I have discovered another new artist (For me of course!! ) thanks to the forum
thank you all!!!
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annar50
Junior Member
π¨οΈ 1,957
ππ» 409
May 2008
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by annar50 on Aug 30, 2009 22:50:11 GMT 1, awesome work from Weseberg Museum, Bremmen, June 2009
think i'll have to make the trip to newcastle!
1 i took in nyc this year.
www.flickr.com/photos/annar_50/
awesome work from Weseberg Museum, Bremmen, June 2009 think i'll have to make the trip to newcastle! 1 i took in nyc this year. www.flickr.com/photos/annar_50/ |
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by faunagraphic on Jan 22, 2010 16:25:27 GMT 1, Would of really loved to see that show...
Would of really loved to see that show...
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by Daniel Silk on Mar 9, 2010 14:58:45 GMT 1, Mode2 Interview
Mode2 Interview
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Scraffer
Junior Member
π¨οΈ 1,240
ππ» 90
June 2008
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by Scraffer on Mar 29, 2010 16:05:10 GMT 1, Never heard of this crew before. Strictly Kev just put them up on his Flickr. Some really early Mode 2 stuff in there....
www.flickr.com/photos/strictly-kev/sets/72157623723580386/
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curiousgeorge
Junior Member
π¨οΈ 5,833
ππ» 1,091
March 2007
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by curiousgeorge on Mar 29, 2010 17:27:46 GMT 1, Never heard of them? serious?
Never heard of them? serious?
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Scraffer
Junior Member
π¨οΈ 1,240
ππ» 90
June 2008
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by Scraffer on Mar 29, 2010 20:01:19 GMT 1, Yeah. They look good. Love the Mode2 Freestyle stuff. really different from his new stuff....
Yeah. They look good. Love the Mode2 Freestyle stuff. really different from his new stuff....
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Natas
New Member
π¨οΈ 493
ππ» 3
June 2007
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by Natas on Mar 29, 2010 20:11:08 GMT 1, Used to go up to Covent Garden every weekend to see them painting on the boards there. Classic.
Used to go up to Covent Garden every weekend to see them painting on the boards there. Classic.
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by Lazarides London on Apr 1, 2010 2:09:50 GMT 1,
This week's shopatlazarides.com print release comes from the legendary Mode 2, although each copy of L'Offrandre (The Offering) is arguably more of an original work than it is a print. Each and every one of the edition has been meticulously hand painted in London by Mode over a period of several months, during which time he often worked late into the night at Rathbone Place, causing him to miss a few flights home to Berlin and a lot of awfully good parties.
Next up is Paul Insect's Star Eyes, from a series of 10 uniquely coloured tray-framed aluminium works. The aluminium base was first sprayed with 12 layers of spray paint, upon which a special paint used for 50's style American Hot Rod cars was thickly applied. This paint contains multi-coloured flakes of mica which endow the work with its sparkly appearance. The image was then screen printed by the same master printer who did most of Warhol's early works. Finally, the work was varnished to protect it without reducing the dazzling effect, which sadly cannot be adequately portrayed by computer imagery, you'll just have to trust us on that.
And last but not least, now that the amazing Faile/Bast Deluxx Fluxx Arcade installation at our Greek Street gallery has finished, you can get your hands on the much-sought-after tokens used during the show to play the arcade games. They come in packs of 5, priced at Β£10. Limited stocks available, only at shopatlazarides.com.
This week's shopatlazarides.com print release comes from the legendary Mode 2, although each copy of L'Offrandre (The Offering) is arguably more of an original work than it is a print. Each and every one of the edition has been meticulously hand painted in London by Mode over a period of several months, during which time he often worked late into the night at Rathbone Place, causing him to miss a few flights home to Berlin and a lot of awfully good parties.  Next up is Paul Insect's Star Eyes, from a series of 10 uniquely coloured tray-framed aluminium works. The aluminium base was first sprayed with 12 layers of spray paint, upon which a special paint used for 50's style American Hot Rod cars was thickly applied. This paint contains multi-coloured flakes of mica which endow the work with its sparkly appearance. The image was then screen printed by the same master printer who did most of Warhol's early works. Finally, the work was varnished to protect it without reducing the dazzling effect, which sadly cannot be adequately portrayed by computer imagery, you'll just have to trust us on that. And last but not least, now that the amazing Faile/Bast Deluxx Fluxx Arcade installation at our Greek Street gallery has finished, you can get your hands on the much-sought-after tokens used during the show to play the arcade games. They come in packs of 5, priced at Β£10. Limited stocks available, only at shopatlazarides.com. |
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Michael Jacob
Artist
Junior Member
π¨οΈ 2,049
ππ» 29
October 2006
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by Michael Jacob on Apr 1, 2010 2:24:55 GMT 1, i cant see any images???
i cant see any images???
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by bigwilly on Apr 1, 2010 7:24:51 GMT 1, loving the late night drops! thanks again LAZ INC.!
loving the late night drops! thanks again LAZ INC.!
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Drymounted
New Member
π¨οΈ 444
ππ» 95
August 2009
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by Drymounted on Apr 1, 2010 7:33:58 GMT 1, Wanting these tokens in the worst way, but Β£20.00 to ship a Β£10.00 order is rough. 
Wanting these tokens in the worst way, but Β£20.00 to ship a Β£10.00 order is rough. |
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Mode2 π¬π§ New Print Release β’ Graffiti β’ Street Artist, by sand on Apr 1, 2010 7:37:45 GMT 1, Wanting these tokens in the worst way, but Β£20.00 to ship a Β£10.00 order is rough.
pm me your address and i'll ship 2 out to you for free mate.
Wanting these tokens in the worst way, but Β£20.00 to ship a Β£10.00 order is rough. pm me your address and i'll ship 2 out to you for free mate. |
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I cant see them hanging around for long. 
a POW classic!
