dreadnatty
Junior Member
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February 2013
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by dreadnatty on Jun 8, 2016 23:46:53 GMT 1, Still looking.....got outbid on one place but still hopeful Put your bid on the Borondo you'll have better luck :-)
Still looking.....got outbid on one place but still hopeful Put your bid on the Borondo you'll have better luck :-) LOL....Im sure thats true...i have WAY too much in the framing queue and not much wall space left |
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by sierrahotel on Jun 15, 2016 22:32:04 GMT 1, I've picked up 3 originals from the London Animal show, on the secondary market at 30% to 45% below primary.
If other sellers looking to move a piece on drop me a line.
Not after identity or fake paradise prints, or alveare etchings.
Other etchings/ originals considered.
Cash buyer based in London, plenty references.
I've picked up 3 originals from the London Animal show, on the secondary market at 30% to 45% below primary.
If other sellers looking to move a piece on drop me a line.
Not after identity or fake paradise prints, or alveare etchings.
Other etchings/ originals considered.
Cash buyer based in London, plenty references.
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kbfrombk
Junior Member
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October 2013
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by kbfrombk on Jun 17, 2016 13:56:37 GMT 1, yay weekend special lower price
yay weekend special lower price
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phischa
New Member
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May 2015
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by phischa on Jun 22, 2016 7:15:00 GMT 1, Borondo did a mural in Berlin which I think looks impressive.However, the residents of the building are shocked by the theme and don't want to have it. I couldn't find an English article about the pushback but the common sense is repulsive, shocking, not child-friendly... I can understand them though, what do you think?
www.streetartnews.net/2016/06/pm9-borondo-in-berlin.html
Borondo did a mural in Berlin which I think looks impressive.However, the residents of the building are shocked by the theme and don't want to have it. I couldn't find an English article about the pushback but the common sense is repulsive, shocking, not child-friendly... I can understand them though, what do you think? www.streetartnews.net/2016/06/pm9-borondo-in-berlin.html |
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Deleted
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January 1970
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by Deleted on Jun 22, 2016 9:11:16 GMT 1, What are the residents saying exactly about the mural and why they don't want it? The mural looks great. I agree that it's a bit moody dull colors and maybe could have done with brighter colors. Or is it because it depicts a Christian martyr and politically correct German thought police are told to feel guilty about being Christians?
What are the residents saying exactly about the mural and why they don't want it? The mural looks great. I agree that it's a bit moody dull colors and maybe could have done with brighter colors. Or is it because it depicts a Christian martyr and politically correct German thought police are told to feel guilty about being Christians?
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sircoxson
New Member
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by sircoxson on Jun 22, 2016 9:18:48 GMT 1, just read a german article about it.
opinions are varying: some residensts declare it's artistically interesting, but in the wrong place: a young girl standing in a puddle of blood and a person killed by arrows. it's opposite of a children daycare centre (kindergarten) and a refugee shelter that is currently being built. plus, the house next door is known as a suicide house in berlin...
others critisize the dark/depressing nature of the mural and want the mural to be overpainted asap.
people wish that the motive should have been discussed and agreed on with the local community beforehand...
just read a german article about it.
opinions are varying: some residensts declare it's artistically interesting, but in the wrong place: a young girl standing in a puddle of blood and a person killed by arrows. it's opposite of a children daycare centre (kindergarten) and a refugee shelter that is currently being built. plus, the house next door is known as a suicide house in berlin...
others critisize the dark/depressing nature of the mural and want the mural to be overpainted asap.
people wish that the motive should have been discussed and agreed on with the local community beforehand...
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.dappy
Full Member
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by .dappy on Jun 22, 2016 10:33:47 GMT 1, ... this is the image ... I have previously posted it on the insta Thread ...
http://instagram.com/p/BG2F7_dlmq4
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phischa
New Member
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by phischa on Jun 22, 2016 10:47:35 GMT 1, Thanks for posting it again .dappy. From art perspective I'd say it's really impressive. The size, the colour, the arrangement. But for me, the message and dark/depressing nature of the mural doenst't fit to an apartment house with families. It's misplaced
Thanks for posting it again .dappy. From art perspective I'd say it's really impressive. The size, the colour, the arrangement. But for me, the message and dark/depressing nature of the mural doenst't fit to an apartment house with families. It's misplaced |
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Reader
Junior Member
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by Reader on Jun 22, 2016 11:07:37 GMT 1, An interesting challenge for Urban Nation, the organisers and community. This is a real problem for "mural" culture, when it attempts to use the same difficult themes as "fine art", instead of the often insipid large multi-coloured decorative pieces, it hits a wall. I think Etam Cru found a really good balance between the two. The Borondo is one of the finest large scale pieces of mural art I've ever seen, and knowing him, he no doubt considered the relationship between the site and it's history, but for sure when something is this controversial, then the community should be consulted.
An interesting challenge for Urban Nation, the organisers and community. This is a real problem for "mural" culture, when it attempts to use the same difficult themes as "fine art", instead of the often insipid large multi-coloured decorative pieces, it hits a wall. I think Etam Cru found a really good balance between the two. The Borondo is one of the finest large scale pieces of mural art I've ever seen, and knowing him, he no doubt considered the relationship between the site and it's history, but for sure when something is this controversial, then the community should be consulted.
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Reader
Junior Member
🗨️ 1,272
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June 2016
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by Reader on Jun 22, 2016 21:05:15 GMT 1, just read a german article about it. opinions are varying: some residensts declare it's artistically interesting, but in the wrong place: a young girl standing in a puddle of blood and a person killed by arrows. it's opposite of a children daycare centre (kindergarten) and a refugee shelter that is currently being built. plus, the house next door is known as a suicide house in berlin... others critisize the dark/depressing nature of the mural and want the mural to be overpainted asap. people wish that the motive should have been discussed and agreed on with the local community beforehand...
I would like to clarify somehow the questions and concerns raised around the artwork I realized in Tegel, Berlin, invited by Urban Nation.
Before approaching a surface it is important for me to try and understand the environment where my artwork will be placed, to feel the energy of the space which is welcoming me, to learn the history, the community and the ongoing problematics.I work with the space and with the specific site I'm in, and in this case I was in an area where the construction for housing complexes for refugees will take place.
To create my works I use a palette which is inspired by the colors of nature, of the surrounding and of the facade itself, theses are not bright because I don't like to be invasive but to respectfully integrate my work in the landscape. I think that during cloudy days a bright colored palette would looks very sad (imagine a playground in a rainy day), that's why for this intervention, considering the typical weather conditions in Berlin, I used a sort of "grey" scale. Then I added red, which is a beautiful color very important in my production, which perfectly matches with the rest of the composition.
I work in the public space and there's always a risk hidden in the process of working outdoors, so in my opinion the artist has the responsibility to never forget that his work is going to be for everyone walking in the streets, if he wants to express himself in the public space. But in any case the artist gives his message, his aesthetic and imagery. If I would ask to the community what they would like to see on a building of the neighborhood I would probably get many requests such as "rainbow", "cats", "sunset", "flowers" but in this way the facades will be almost like a TV screen, entertainment and not culture. The risk hidden in this thinking is that in a couple of years we will loose the difference between advertising and mural art. The main contradiction here is that so many people complain about a mural considered too deep or too reflective but such few people complain about huge billboard positioned in front of their door.
The artist has the responsibility to struggle every time with the facade to offer a message and open a dialogue, but this doesn't mean that the message has to be universal, immediate or easy to get. Also the process is way more complicated than that and needs to be the result of a real and deep relation build with the community not only by the artist, but prior by the cultural players working in the area.
I want to offer poetic, not politics neither polemic messages. I desire to suggest thoughts and feelings through an image, that's what I do.
I don't suggest happiness with bright colors, I make art and not decoration. Unfortunately this mural hasn't not yet been fully understood by the community which lives there. I truly hope they just need time to reflect on it and to realize that through the message in it they can get other shades of life, not only the bright, and appreciate the piece.
In any case, even if maybe not necessary, I feel that I want to explain the concept for this work - which usually I never explain - because the theme in which it has been approached is important to me.
Usually I don't impose on anyone with the definition or meaning. The reason for this is :
If I explain the work my meaning seems to suggest that there is only one interpretation that is right and all others would be wrong. But sometimes the viewer's interpretations are more interesting and completely different from the ones I had and I don't want to close this discourse or exchange.
For me it is a poem composed by images and colors instead of words. I believe that in an art piece it is important to get not an immediate reaction but to promote critical thinking, a research of meanings and different levels of communication.
In this case I wanted to flow on the surface using different image and references to create a sort of big collage realized directly on the 14th floors high wall.
The wall is divided in two side with a gap of windows in the centre so I used this gap to represent a wall that creates a double dimension. On the left side there's a figure looking through a hole, while the right side depicts St. Sebastian inspired by renaissance paintings inserted in a snow forest with a cloud accumulation on top. The "wall" represents a division, a frontier and in this case creates a distance: outside the drama and inside an empty room with a small hole from which one can see the reality. A reality that we may pretend to not see but we need to be curios - as the child depicted here - to know and understand.
The gap is contemporary Europe, which seems to keeps our children safe and far from what's going on in countries very close to our home. Often this way creating fears and closing doors to problems that are a direct consequence of our economic politics.
It seems superficial that there should be a controversy about a wall that since it contains red as merely a color it is suggested this speaks about blood, while so many people next door are suffering a brutal reality.
Let's open our minds and stop looking at the drama through our save screens.
WELCOME REFUGEES.
just read a german article about it. opinions are varying: some residensts declare it's artistically interesting, but in the wrong place: a young girl standing in a puddle of blood and a person killed by arrows. it's opposite of a children daycare centre (kindergarten) and a refugee shelter that is currently being built. plus, the house next door is known as a suicide house in berlin... others critisize the dark/depressing nature of the mural and want the mural to be overpainted asap. people wish that the motive should have been discussed and agreed on with the local community beforehand... Borondo's response below I would like to clarify somehow the questions and concerns raised around the artwork I realized in Tegel, Berlin, invited by Urban Nation. Before approaching a surface it is important for me to try and understand the environment where my artwork will be placed, to feel the energy of the space which is welcoming me, to learn the history, the community and the ongoing problematics.I work with the space and with the specific site I'm in, and in this case I was in an area where the construction for housing complexes for refugees will take place. To create my works I use a palette which is inspired by the colors of nature, of the surrounding and of the facade itself, theses are not bright because I don't like to be invasive but to respectfully integrate my work in the landscape. I think that during cloudy days a bright colored palette would looks very sad (imagine a playground in a rainy day), that's why for this intervention, considering the typical weather conditions in Berlin, I used a sort of "grey" scale. Then I added red, which is a beautiful color very important in my production, which perfectly matches with the rest of the composition. I work in the public space and there's always a risk hidden in the process of working outdoors, so in my opinion the artist has the responsibility to never forget that his work is going to be for everyone walking in the streets, if he wants to express himself in the public space. But in any case the artist gives his message, his aesthetic and imagery. If I would ask to the community what they would like to see on a building of the neighborhood I would probably get many requests such as "rainbow", "cats", "sunset", "flowers" but in this way the facades will be almost like a TV screen, entertainment and not culture. The risk hidden in this thinking is that in a couple of years we will loose the difference between advertising and mural art. The main contradiction here is that so many people complain about a mural considered too deep or too reflective but such few people complain about huge billboard positioned in front of their door. The artist has the responsibility to struggle every time with the facade to offer a message and open a dialogue, but this doesn't mean that the message has to be universal, immediate or easy to get. Also the process is way more complicated than that and needs to be the result of a real and deep relation build with the community not only by the artist, but prior by the cultural players working in the area. I want to offer poetic, not politics neither polemic messages. I desire to suggest thoughts and feelings through an image, that's what I do. I don't suggest happiness with bright colors, I make art and not decoration. Unfortunately this mural hasn't not yet been fully understood by the community which lives there. I truly hope they just need time to reflect on it and to realize that through the message in it they can get other shades of life, not only the bright, and appreciate the piece. In any case, even if maybe not necessary, I feel that I want to explain the concept for this work - which usually I never explain - because the theme in which it has been approached is important to me. Usually I don't impose on anyone with the definition or meaning. The reason for this is : If I explain the work my meaning seems to suggest that there is only one interpretation that is right and all others would be wrong. But sometimes the viewer's interpretations are more interesting and completely different from the ones I had and I don't want to close this discourse or exchange. For me it is a poem composed by images and colors instead of words. I believe that in an art piece it is important to get not an immediate reaction but to promote critical thinking, a research of meanings and different levels of communication. In this case I wanted to flow on the surface using different image and references to create a sort of big collage realized directly on the 14th floors high wall. The wall is divided in two side with a gap of windows in the centre so I used this gap to represent a wall that creates a double dimension. On the left side there's a figure looking through a hole, while the right side depicts St. Sebastian inspired by renaissance paintings inserted in a snow forest with a cloud accumulation on top. The "wall" represents a division, a frontier and in this case creates a distance: outside the drama and inside an empty room with a small hole from which one can see the reality. A reality that we may pretend to not see but we need to be curios - as the child depicted here - to know and understand. The gap is contemporary Europe, which seems to keeps our children safe and far from what's going on in countries very close to our home. Often this way creating fears and closing doors to problems that are a direct consequence of our economic politics. It seems superficial that there should be a controversy about a wall that since it contains red as merely a color it is suggested this speaks about blood, while so many people next door are suffering a brutal reality. Let's open our minds and stop looking at the drama through our save screens. WELCOME REFUGEES. |
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Deleted
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👍🏻
January 1970
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by Deleted on Jun 22, 2016 21:36:34 GMT 1, I doubt any refugees would have had a problem with the mural. It seems the locals just would have prefered something bright and jolly as opposed to some muddy east Berlinish image that looks like it would be suitable in a Victorian book or a Spanish church.
Something bright depicting blue skies lifts the spirit on grey drab days whereas a martyr being arrowed to death is OK in a church or other cult or museum even.
It's just muralling walls in reality.
Blue Skies and Spitfires and lots of ack ack ack would be perfect.
I doubt any refugees would have had a problem with the mural. It seems the locals just would have prefered something bright and jolly as opposed to some muddy east Berlinish image that looks like it would be suitable in a Victorian book or a Spanish church.
Something bright depicting blue skies lifts the spirit on grey drab days whereas a martyr being arrowed to death is OK in a church or other cult or museum even.
It's just muralling walls in reality.
Blue Skies and Spitfires and lots of ack ack ack would be perfect.
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kbfrombk
Junior Member
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by kbfrombk on Jun 29, 2016 18:41:11 GMT 1, Still up, bump!! thanks 4 lookin'
Still up, bump!! thanks 4 lookin'
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kbfrombk
Junior Member
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by kbfrombk on Jun 30, 2016 20:29:07 GMT 1, :::SOLD::: happily to an amazing fellow bklynite forumite :-D
:::SOLD::: happily to an amazing fellow bklynite forumite :-D
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AoT Framing
Art Gallery
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April 2006
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by AoT Framing on Jan 7, 2017 18:57:48 GMT 1, Looking for prints and originals from Borondo. Please PM with what you have, thanks.
Looking for prints and originals from Borondo. Please PM with what you have, thanks.
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energy
New Member
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May 2016
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by energy on Jan 16, 2017 21:27:38 GMT 1, Ola
Anyone know how much these are going for? Signed edition of 100.
Thanks in anticipation
Ola
Anyone know how much these are going for? Signed edition of 100.
Thanks in anticipation
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Deleted
🗨️ 0
👍🏻
January 1970
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by Deleted on Jan 17, 2017 10:21:00 GMT 1, If it's the book it's an edition of 1000 not 100. They were £60 to buy you could probably get £100 now, or close to.
If it's the book it's an edition of 1000 not 100. They were £60 to buy you could probably get £100 now, or close to.
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by Schrödinger's Chat on Jan 17, 2017 23:04:06 GMT 1, Some books here:
www.galleriavarsi.it/opere/artisti/borondo/
Might not be signed, if I remember correctly it was only the first run with the print that are signed.
Also the book is numbered from an edition of 1000 but if memory serves they after all numbered 1 of 1000.
Some books here: www.galleriavarsi.it/opere/artisti/borondo/Might not be signed, if I remember correctly it was only the first run with the print that are signed. Also the book is numbered from an edition of 1000 but if memory serves they after all numbered 1 of 1000. |
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thugs
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by thugs on Jan 17, 2017 23:22:08 GMT 1, If it's the book it's an edition of 1000 not 100. They were £60 to buy you could probably get £100 now, or close to.
If it's the book it's an edition of 1000 not 100. They were £60 to buy you could probably get £100 now, or close to. there's one available on a popular auction site for £74.99 |
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frezza
Junior Member
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by frezza on Jan 17, 2017 23:59:54 GMT 1, Assume the OP is talking about the edition of 100 with the print?
Assume the OP is talking about the edition of 100 with the print?
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by Coach on Jan 27, 2017 21:20:48 GMT 1, gonzaloborondo.com
Huge talent.
Website looks great.
Excellent collection of very good photographs of indoor and outdoor work.
gonzaloborondo.comHuge talent. Website looks great. Excellent collection of very good photographs of indoor and outdoor work.
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.dappy
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by .dappy on Jan 27, 2017 21:59:17 GMT 1, ... HF ...
BORONDO – EVA
Silkscreen – 9 layers
Pvc, Pet 3mm
Hand finished
50 x 70 cm, 2016
Limited edition of 40
Signed by the artist
Collaboration with 56 Fili
FRAME INCLUDED
... HF ...
BORONDO – EVA
Silkscreen – 9 layers
Pvc, Pet 3mm
Hand finished
50 x 70 cm, 2016
Limited edition of 40
Signed by the artist
Collaboration with 56 Fili
FRAME INCLUDED
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Invaded 420
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by Invaded 420 on Jan 29, 2017 2:15:48 GMT 1,
both those prints look incredible. I am constantly blown away by borondos work. Truly incredible and extremely talented guy. Not to mention so down to earth and humble. I'm a big fan. Wish I had the funds for these!
both those prints look incredible. I am constantly blown away by borondos work. Truly incredible and extremely talented guy. Not to mention so down to earth and humble. I'm a big fan. Wish I had the funds for these! |
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Dibbs 45
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by Dibbs 45 on Feb 3, 2017 10:54:14 GMT 1, If anyone wants one I have one. Pm me. Not mine on eBay. Signed book and signed print.
If anyone wants one I have one. Pm me. Not mine on eBay. Signed book and signed print.
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frisky
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by frisky on Feb 28, 2017 0:50:40 GMT 1, Mint Borondo Momento Mori and print for sale (as one item as originally sold).
Any offers?
Mint Borondo Momento Mori and print for sale (as one item as originally sold).
Any offers?
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tartarus
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by tartarus on Mar 16, 2017 10:30:52 GMT 1, Just popped up on facebook.
Cholera
4 artists to monotyping
The exhibition opens on 25 March 2017
At The Gallery Varsi Rome.
Just popped up on facebook. Cholera 4 artists to monotyping The exhibition opens on 25 March 2017 At The Gallery Varsi Rome. |
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lollo88
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by lollo88 on Mar 16, 2017 12:29:53 GMT 1, sounds awesome!
sounds awesome!
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tartarus
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by tartarus on Mar 16, 2017 15:39:12 GMT 1, Yeah for sure! shame its a bit far away from me. Would love to see it.
Yeah for sure! shame its a bit far away from me. Would love to see it.
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tartarus
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by tartarus on Mar 19, 2017 21:01:58 GMT 1, Little bit more info and the Facebook page for this.
The big news is that COLERA printing Team is in TOWN!
On 25 March 2017 the gallery varsi presents "Cholera" exposure of monotype made by borondo servadio, run, and the trio canemorto.
"Cholera" is the development of a project born naturally in 2015 when the six artists have found themselves in London, and they began to meet in the study of servadio. To unite them in the space of Hackney Wick the artistic affinity and the presence of a printing press: the shared will investigate the possibility of monotyping.
Opening Show: Saturday, March 25, from 18.30 to 22.00
Show Duration: from 25 March 2017 to April 23 2017
Gallery Hours: from Tuesday to Saturday 12-20, Sunday 15-20, closed on Monday.
www.facebook.com/events/202352256917153/
Little bit more info and the Facebook page for this. The big news is that COLERA printing Team is in TOWN! On 25 March 2017 the gallery varsi presents "Cholera" exposure of monotype made by borondo servadio, run, and the trio canemorto. "Cholera" is the development of a project born naturally in 2015 when the six artists have found themselves in London, and they began to meet in the study of servadio. To unite them in the space of Hackney Wick the artistic affinity and the presence of a printing press: the shared will investigate the possibility of monotyping. Opening Show: Saturday, March 25, from 18.30 to 22.00 Show Duration: from 25 March 2017 to April 23 2017 Gallery Hours: from Tuesday to Saturday 12-20, Sunday 15-20, closed on Monday. www.facebook.com/events/202352256917153/ |
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tartarus
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by tartarus on Mar 20, 2017 14:36:52 GMT 1, A few pics of the works.
RUN
Borondo
CANEMORTO
Bit of print making action
A few pics of the works. RUN Borondo CANEMORTO Bit of print making action |
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cyberkid
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Gonzalo Borondo 🇪🇦 Spanish Glass Artist • Street Art, by cyberkid on Mar 24, 2017 18:05:22 GMT 1, hopefully there are some borondo fans here ?!
Galleria Versi makes a group show. there are several new original works from borondo available. all black / charcoal on paper. dark ! :-)
Official text:
25.03 – 23.04.2017
BORONDO • CANEMORTO • RUN • SERVADIO
Colera_ Group Show
On 25 March 2017, Galleria Varsi presents “Colera”, an exhibition of monotypes created by Borondo, Run, Servadio and the Canemorto trio.
“Colera” derives from a spontaneous project started in 2015 when the six artists accidentally met in London and started getting together in Servadio’s workshop. What united them in the Hackney Wick spaces were artistic affinity and a printing press, plus the shared will to investigate the possibilities of monotype.
From the greek monos “one” and typos “impression”, monotype is a hybrid medium; the boundary between painting and printing that results in each work carries its “ghosts” and a matrix which is inexorably destined to disappear.
A monotype is achieved by the pressure of a plate (initially metal and later wood, glass and plexiglas) painted in ink or oil paint on paper. The image, first designed reversed, is created by using paint brushes, drills, rollers and unusual original instruments. It is an intellectual and sensory art form whose regulative principles admit the freedom of different media and the full artistic expression of those who work on it.
The outcome of Borondo, Canemorto, Run and Servadio’s London experience was an enormous amount of unpublished monotypes and the will to pursue what was accomplished to generate a new production of works. The title chosen for the exhibition reveals the atmosphere of the printing sessions: “Those days my workshop looked like it was snowing sheets,” says Servadio. Floor and bodies were tinged with murky matter, ink was everywhere. Printing was nonstop, intentions were born and died on paper in an attempt to discover formal solutions that could satisfy the artists there and stimulate other endless printing series.
The six artists are meeting together again at the same time and in the same place. Their thoughts and expressions will merge to create new instances. It will snow again.
At Galleria Varsi they will be working closely together for two weeks, generating over two hundred monotypes that will be deposited on the walls, like a second skin.
“Colera” is a black project, dense and dirty, immediate and stubborn, insistent and obsessive, intrusive and viral. It has an urgency of its own: that of generating and continuing to occupy space, and of contaminating it with intentions and actions to be shared and felt.
hopefully there are some borondo fans here ?! Galleria Versi makes a group show. there are several new original works from borondo available. all black / charcoal on paper. dark ! :-) Official text: 25.03 – 23.04.2017 BORONDO • CANEMORTO • RUN • SERVADIO Colera_ Group Show On 25 March 2017, Galleria Varsi presents “Colera”, an exhibition of monotypes created by Borondo, Run, Servadio and the Canemorto trio. “Colera” derives from a spontaneous project started in 2015 when the six artists accidentally met in London and started getting together in Servadio’s workshop. What united them in the Hackney Wick spaces were artistic affinity and a printing press, plus the shared will to investigate the possibilities of monotype. From the greek monos “one” and typos “impression”, monotype is a hybrid medium; the boundary between painting and printing that results in each work carries its “ghosts” and a matrix which is inexorably destined to disappear. A monotype is achieved by the pressure of a plate (initially metal and later wood, glass and plexiglas) painted in ink or oil paint on paper. The image, first designed reversed, is created by using paint brushes, drills, rollers and unusual original instruments. It is an intellectual and sensory art form whose regulative principles admit the freedom of different media and the full artistic expression of those who work on it. The outcome of Borondo, Canemorto, Run and Servadio’s London experience was an enormous amount of unpublished monotypes and the will to pursue what was accomplished to generate a new production of works. The title chosen for the exhibition reveals the atmosphere of the printing sessions: “Those days my workshop looked like it was snowing sheets,” says Servadio. Floor and bodies were tinged with murky matter, ink was everywhere. Printing was nonstop, intentions were born and died on paper in an attempt to discover formal solutions that could satisfy the artists there and stimulate other endless printing series. The six artists are meeting together again at the same time and in the same place. Their thoughts and expressions will merge to create new instances. It will snow again. At Galleria Varsi they will be working closely together for two weeks, generating over two hundred monotypes that will be deposited on the walls, like a second skin. “Colera” is a black project, dense and dirty, immediate and stubborn, insistent and obsessive, intrusive and viral. It has an urgency of its own: that of generating and continuing to occupy space, and of contaminating it with intentions and actions to be shared and felt. |
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