otomi
Junior Member
Posts โข 1,805
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July 2007
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Great Swoon Write-Up in LA Times, by otomi on Mar 24, 2008 23:09:30 GMT 1, Swoon has changed over time - she is using now a lot more color and different materials she always used all kinds of techniques - most artist use stencil, brush or a camera their whole career.
I'm glad her art is available again for some time the smallest pieces would get crazy prices on ebay. Right now you can buy plenty of stuff on the primary market.
For me Swoon is the essence of street art. An artist who creates art and puts it on the street for people to see. If you ever had a Swoon piece in your neighborhood and watched falling apart over time you know a gallery show can never recreate that. Also she is not about the money a lot of her stuff is for charity and it took for ever before things were available to buy.
Swoon has changed over time - she is using now a lot more color and different materials she always used all kinds of techniques - most artist use stencil, brush or a camera their whole career.
I'm glad her art is available again for some time the smallest pieces would get crazy prices on ebay. Right now you can buy plenty of stuff on the primary market.
For me Swoon is the essence of street art. An artist who creates art and puts it on the street for people to see. If you ever had a Swoon piece in your neighborhood and watched falling apart over time you know a gallery show can never recreate that. Also she is not about the money a lot of her stuff is for charity and it took for ever before things were available to buy.
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Great Swoon Write-Up in LA Times, by manchestermike on Mar 24, 2008 23:37:39 GMT 1, I'm not convinced, maybe she's using more colour and materials now but even so her work... to me at least... seems very much the same, content, style, technique... I don't see an evolution.
Isn't Swoon putting art on the street the same as any other street artist? I don't see the difference there. And I know she does a lot for charity, but that doesn't change her art.
Maybe I'm missing something with her work, I don't know... but I honestly have tried and just don't see it
I'm not convinced, maybe she's using more colour and materials now but even so her work... to me at least... seems very much the same, content, style, technique... I don't see an evolution.
Isn't Swoon putting art on the street the same as any other street artist? I don't see the difference there. And I know she does a lot for charity, but that doesn't change her art.
Maybe I'm missing something with her work, I don't know... but I honestly have tried and just don't see it
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Great Swoon Write-Up in LA Times, by ricosg11 on Mar 24, 2008 23:46:26 GMT 1, I guess a lot comes down to taste. But since you asked, I will share. But before I do, Mike, I have a question for you in particular, as I respect your opinion. Why such an attraction to Dface. I know your a big fan, and for the life of me I cant wrap my head around his work. So if you could tell me what attracts you to his work I would love the insight.
For me Swoon trancends art as something tangible. I dont look at her work as specific people although they most certainly are. I dont think she is necessarily trying to even make portraits. I think she is conveying emotion ( much in the same way Parla does for me). You can look at these people and "feel" them. To take it further, on my subway piece, sometimes I think the chick is smirking and other times I think she looks upset. I cant explain why but it is definitely there for me. I love her line work. It's tight yet loose at the same time, her pieces have a flow to them, almost a guide for your eye. I love that decay is a main theme in her body of work. It just suits me and im glad to have found her work at a point where I could still afford to buy some. I also have tons of confidence in her representation all over the world. I feel like i could own them forever and they would always have relevance.
As for redundancy in her shows. I think its more of bringing a "show" on a tour. As opposed to new work at every show. Kind of like Barry McGee exhibits. Her medium of block printing lends itsself to reproduction. Thus things get sold at each event. She has been trickling out some new stuff here and there. She is the type of artist that falls asleep sitting at her desk working. She will be a successful, prolific artist for a long time.
I guess a lot comes down to taste. But since you asked, I will share. But before I do, Mike, I have a question for you in particular, as I respect your opinion. Why such an attraction to Dface. I know your a big fan, and for the life of me I cant wrap my head around his work. So if you could tell me what attracts you to his work I would love the insight.
For me Swoon trancends art as something tangible. I dont look at her work as specific people although they most certainly are. I dont think she is necessarily trying to even make portraits. I think she is conveying emotion ( much in the same way Parla does for me). You can look at these people and "feel" them. To take it further, on my subway piece, sometimes I think the chick is smirking and other times I think she looks upset. I cant explain why but it is definitely there for me. I love her line work. It's tight yet loose at the same time, her pieces have a flow to them, almost a guide for your eye. I love that decay is a main theme in her body of work. It just suits me and im glad to have found her work at a point where I could still afford to buy some. I also have tons of confidence in her representation all over the world. I feel like i could own them forever and they would always have relevance.
As for redundancy in her shows. I think its more of bringing a "show" on a tour. As opposed to new work at every show. Kind of like Barry McGee exhibits. Her medium of block printing lends itsself to reproduction. Thus things get sold at each event. She has been trickling out some new stuff here and there. She is the type of artist that falls asleep sitting at her desk working. She will be a successful, prolific artist for a long time.
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Great Swoon Write-Up in LA Times, by manchestermike on Mar 24, 2008 23:59:39 GMT 1, Hi Scott,
I wouldn't say I'm a big D*Face fan, I like some of his work, but some leaves me pretty cold... I like the older work, the D*Dogs the blocky men (did they ever have a name)? the simplicity of it works for me, the fact you could find one on the street on a rare visit to London looking down at you from a building, the clever placement of them... something that seems to be forgotten with his later works... the Pop Tarts / Cli-Chรฉ did the opposite of grow on me (shrank on me?) although I thought some of the collages worked well... Kant Complain I also like but that's because I'm a fan of Kurt... I suppose with D* he works best when he is quirky, when he's having fun and not trying so hard... that's when I enjoy it, the fun side.
I appreciate your view on Swoon and I know you're a big fan, but the emotion side of it doesn't reach me one bit, when I see them I don't feel them at all... but I get the same with Armsrock... for me it's a pretty picture (well, it isn't even that as I don't think they can be described as pretty - well none that I've seen)... there is nothing there that would make me look over and over... no enjoyment for me with them
Hi Scott,
I wouldn't say I'm a big D*Face fan, I like some of his work, but some leaves me pretty cold... I like the older work, the D*Dogs the blocky men (did they ever have a name)? the simplicity of it works for me, the fact you could find one on the street on a rare visit to London looking down at you from a building, the clever placement of them... something that seems to be forgotten with his later works... the Pop Tarts / Cli-Chรฉ did the opposite of grow on me (shrank on me?) although I thought some of the collages worked well... Kant Complain I also like but that's because I'm a fan of Kurt... I suppose with D* he works best when he is quirky, when he's having fun and not trying so hard... that's when I enjoy it, the fun side.
I appreciate your view on Swoon and I know you're a big fan, but the emotion side of it doesn't reach me one bit, when I see them I don't feel them at all... but I get the same with Armsrock... for me it's a pretty picture (well, it isn't even that as I don't think they can be described as pretty - well none that I've seen)... there is nothing there that would make me look over and over... no enjoyment for me with them
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Great Swoon Write-Up in LA Times, by ricosg11 on Mar 25, 2008 0:06:52 GMT 1, fair play to you. good talk.
fair play to you. good talk.
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pezlow
Junior Member
Posts โข 5,388
Likes โข 254
January 2007
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Great Swoon Write-Up in LA Times, by pezlow on Mar 25, 2008 10:01:47 GMT 1, It's always difficult to explain why you like an artist or a particular piece by an artist as so much of it is about your personal reaction to it.
I'll give it a go though. When I was a giggling school boy at the age of 15 doing O level art my teacher decided that we were going to have a life class. Now you can well imagine how exciting this was to the adolescent mind - an nude adult female there for me to see. Phwooarrh.
Well of course the reality was that the female in question was old enough to be my grandmother, with flab and wrinkles and spots and blemishes etc etc. Needless to say my reaction was one of horror and disgust - a typical immature reaction.
As I have grown up a bit I have learned that beauty is not just about the Naomi Campbell's of this world. Swoon's portraits have a lived in feel to them. She seeks out and creates wonderfully intricate portraits of people that the mainstream media have left behind. The woman who stiches a soccer ball in latin america, the man who feeds pigeons in a park ignored by all the men in suits rushing past obsessed with their frantic money driven lives.
Swoon makes us stop and think about the world in which we live. She reminds us that there is more to life than MTV and Jimmy Choo shoes. There is a whole world out there of the disenfranchised, the old, the people who would conventionally be decribed as ugly, the economic migrants who pick up your litter and clean your toilets.
Swoon's art speaks for them - it challenges the norm - to an older generation they find it quite disturbing and difficult to deal with.
It finds beauty in the ugly and disenfranchised. And that is why I love it.
It's always difficult to explain why you like an artist or a particular piece by an artist as so much of it is about your personal reaction to it.
I'll give it a go though. When I was a giggling school boy at the age of 15 doing O level art my teacher decided that we were going to have a life class. Now you can well imagine how exciting this was to the adolescent mind - an nude adult female there for me to see. Phwooarrh.
Well of course the reality was that the female in question was old enough to be my grandmother, with flab and wrinkles and spots and blemishes etc etc. Needless to say my reaction was one of horror and disgust - a typical immature reaction.
As I have grown up a bit I have learned that beauty is not just about the Naomi Campbell's of this world. Swoon's portraits have a lived in feel to them. She seeks out and creates wonderfully intricate portraits of people that the mainstream media have left behind. The woman who stiches a soccer ball in latin america, the man who feeds pigeons in a park ignored by all the men in suits rushing past obsessed with their frantic money driven lives.
Swoon makes us stop and think about the world in which we live. She reminds us that there is more to life than MTV and Jimmy Choo shoes. There is a whole world out there of the disenfranchised, the old, the people who would conventionally be decribed as ugly, the economic migrants who pick up your litter and clean your toilets.
Swoon's art speaks for them - it challenges the norm - to an older generation they find it quite disturbing and difficult to deal with.
It finds beauty in the ugly and disenfranchised. And that is why I love it.
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leumasdarnley
Junior Member
Posts โข 2,650
Likes โข 49
May 2007
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Great Swoon Write-Up in LA Times, by leumasdarnley on Mar 25, 2008 11:42:05 GMT 1, Swoon will have her day stay in the game long enough it will happen look at Nick Walker I mean a year ago Nick was semi struggling. TMA series is cool but it didn't make it happen for him IMO its just like anything right place right time. Ron English has the best quote its something like... Keep doing what you do until the rest of the world gets it. Swoon is cool but the old woman imagery of late just doesn't have that street edge for me.
Swoon will have her day stay in the game long enough it will happen look at Nick Walker I mean a year ago Nick was semi struggling. TMA series is cool but it didn't make it happen for him IMO its just like anything right place right time. Ron English has the best quote its something like... Keep doing what you do until the rest of the world gets it. Swoon is cool but the old woman imagery of late just doesn't have that street edge for me.
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Gentle Mental
Junior Member
Posts โข 2,789
Likes โข 819
May 2007
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Great Swoon Write-Up in LA Times, by Gentle Mental on Mar 25, 2008 11:44:32 GMT 1, It's always difficult to explain why you like an artist or a particular piece by an artist as so much of it is about your personal reaction to it. I'll give it a go though. When I was a giggling school boy at the age of 15 doing O level art my teacher decided that we were going to have a life class. Now you can well imagine how exciting this was to the adolescent mind - an nude adult female there for me to see. Phwooarrh. Well of course the reality was that the female in question was old enough to be my grandmother, with flab and wrinkles and spots and blemishes etc etc. Needless to say my reaction was one of horror and disgust - a typical immature reaction. As I have grown up a bit I have learned that beauty is not just about the Naomi Campbell's of this world. Swoon's portraits have a lived in feel to them. She seeks out and creates wonderfully intricate portraits of people that the mainstream media have left behind. The woman who stiches a soccer ball in latin america, the man who feeds pigeons in a park ignored by all the men in suits rushing past obsessed with their frantic money driven lives. Swoon makes us stop and think about the world in which we live. She reminds us that there is more to life than MTV and Jimmy Choo shoes. There is a whole world out there of the disenfranchised, the old, the people who would conventionally be decribed as ugly, the economic migrants who pick up your litter and clean your toilets. Swoon's art speaks for them - it challenges the norm - to an older generation they find it quite disturbing and difficult to deal with. It finds beauty in the ugly and disenfranchised. And that is why I love it.
that gave me the goosebumps too!
It's always difficult to explain why you like an artist or a particular piece by an artist as so much of it is about your personal reaction to it. I'll give it a go though. When I was a giggling school boy at the age of 15 doing O level art my teacher decided that we were going to have a life class. Now you can well imagine how exciting this was to the adolescent mind - an nude adult female there for me to see. Phwooarrh. Well of course the reality was that the female in question was old enough to be my grandmother, with flab and wrinkles and spots and blemishes etc etc. Needless to say my reaction was one of horror and disgust - a typical immature reaction. As I have grown up a bit I have learned that beauty is not just about the Naomi Campbell's of this world. Swoon's portraits have a lived in feel to them. She seeks out and creates wonderfully intricate portraits of people that the mainstream media have left behind. The woman who stiches a soccer ball in latin america, the man who feeds pigeons in a park ignored by all the men in suits rushing past obsessed with their frantic money driven lives. Swoon makes us stop and think about the world in which we live. She reminds us that there is more to life than MTV and Jimmy Choo shoes. There is a whole world out there of the disenfranchised, the old, the people who would conventionally be decribed as ugly, the economic migrants who pick up your litter and clean your toilets. Swoon's art speaks for them - it challenges the norm - to an older generation they find it quite disturbing and difficult to deal with. It finds beauty in the ugly and disenfranchised. And that is why I love it. that gave me the goosebumps too!
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pezlow
Junior Member
Posts โข 5,388
Likes โข 254
January 2007
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Great Swoon Write-Up in LA Times, by pezlow on Mar 25, 2008 14:15:56 GMT 1, How the swoon argentina print from BRP hasn't sold out is beyond me. If a better print has been released this year I am yet to see it.
How the swoon argentina print from BRP hasn't sold out is beyond me. If a better print has been released this year I am yet to see it.
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Great Swoon Write-Up in LA Times, by bobbymeachamjr on Mar 25, 2008 16:14:12 GMT 1, From Advertising 101, it all about demographics. This scene is fueled overwhelmingly by males in their 20's early 30s. Check out the brp d*face street improvements. Sold out instantly. IMO a hight school level "piece" but it has the demographic appeal...
From Advertising 101, it all about demographics. This scene is fueled overwhelmingly by males in their 20's early 30s. Check out the brp d*face street improvements. Sold out instantly. IMO a hight school level "piece" but it has the demographic appeal...
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dotdot
Junior Member
Posts โข 3,640
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December 2006
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Great Swoon Write-Up in LA Times, by dotdot on Mar 25, 2008 16:40:53 GMT 1, How the swoon argentina print from BRP hasn't sold out is beyond me. If a better print has been released this year I am yet to see it.
you missed it mate - the 5th man
..
How the swoon argentina print from BRP hasn't sold out is beyond me. If a better print has been released this year I am yet to see it. you missed it mate - the 5th man ..
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pezlow
Junior Member
Posts โข 5,388
Likes โข 254
January 2007
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Great Swoon Write-Up in LA Times, by pezlow on Mar 25, 2008 18:19:26 GMT 1, Nope, didn't miss that - could have bought it if I wanted to but decided against. Nice print though (but not as nice as Argentina)
Nope, didn't miss that - could have bought it if I wanted to but decided against. Nice print though (but not as nice as Argentina)
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Great Swoon Write-Up in LA Times, by manchestermike on Mar 25, 2008 18:21:46 GMT 1, Matt Small's etching
Matt Small's etching
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otomi
Junior Member
Posts โข 1,805
Likes โข 169
July 2007
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Great Swoon Write-Up in LA Times, by otomi on Mar 25, 2008 18:27:21 GMT 1, Isn't Swoon putting art on the street the same as any other street artist? I don't see the difference there.
I didn't try to say she is better than other street artists just said she is a really good street artist and her pieces work best on the street. I can accept that she is not everyones taste but I think she is a great artist and is doing her thing. She recreates people she sees on the street and put them back in the streets. There are enough people doing stencils with grenades and flowers etc.
Isn't Swoon putting art on the street the same as any other street artist? I don't see the difference there. I didn't try to say she is better than other street artists just said she is a really good street artist and her pieces work best on the street. I can accept that she is not everyones taste but I think she is a great artist and is doing her thing. She recreates people she sees on the street and put them back in the streets. There are enough people doing stencils with grenades and flowers etc.
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Great Swoon Write-Up in LA Times, by ricosg11 on Mar 25, 2008 19:07:05 GMT 1, My new piece. 5 ft x 3 ft on found car door. linocut on craft paper with spraypaint, and collage
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Great Swoon Write-Up in LA Times, by arcam on Mar 25, 2008 19:09:27 GMT 1, ricosg11 that's really nice. One of the best Swoon's I've seen.
ricosg11 that's really nice. One of the best Swoon's I've seen.
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leumasdarnley
Junior Member
Posts โข 2,650
Likes โข 49
May 2007
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Great Swoon Write-Up in LA Times, by leumasdarnley on Mar 25, 2008 20:00:41 GMT 1, ricosg11 that's really nice. One of the best Swoon's I've seen.
Ditto very nice
ricosg11 that's really nice. One of the best Swoon's I've seen. Ditto very nice
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dkla
New Member
Posts โข 673
Likes โข 74
February 2007
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Great Swoon Write-Up in LA Times, by dkla on Mar 25, 2008 20:52:16 GMT 1, ricosg11, your Swoon collection is simply incredible. Good work and congratulations on those acquisitions
ricosg11, your Swoon collection is simply incredible. Good work and congratulations on those acquisitions
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Francis
Junior Member
Posts โข 2,571
Likes โข 137
September 2007
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Great Swoon Write-Up in LA Times, by Francis on Mar 25, 2008 20:57:19 GMT 1, ricosg11 is it signed?
ricosg11 is it signed?
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Great Swoon Write-Up in LA Times, by ricosg11 on Mar 25, 2008 21:25:40 GMT 1, yes just very hard to read the sig. Its on the metal on the lower right. I must have asked that question 100 times.
yes just very hard to read the sig. Its on the metal on the lower right. I must have asked that question 100 times.
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Great Swoon Write-Up in LA Times, by ricosg11 on Mar 25, 2008 22:14:13 GMT 1, yea that one is beautiful too. Lil too rich for my blood though. The stencil work on my piece was a very nice surprise as its not in the gallery stock photo. This thing just keeps blowing me away. I wish my frame shop didnt take a month to do work.
yea that one is beautiful too. Lil too rich for my blood though. The stencil work on my piece was a very nice surprise as its not in the gallery stock photo. This thing just keeps blowing me away. I wish my frame shop didnt take a month to do work.
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Francis
Junior Member
Posts โข 2,571
Likes โข 137
September 2007
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Great Swoon Write-Up in LA Times, by Francis on Mar 26, 2008 0:51:43 GMT 1, yea that one is beautiful too. Lil too rich for my blood though.
How much is it? Is it over $3,000USD?
yea that one is beautiful too. Lil too rich for my blood though. How much is it? Is it over $3,000USD?
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Great Swoon Write-Up in LA Times, by mose on Mar 26, 2008 1:02:12 GMT 1, yea that one is beautiful too. Lil too rich for my blood though. How much is it? Is it over $3,000USD?
Looking at it, and knowing some Swoon prices(but deferring to Scott who is the Swoon master), I'd say around $12K.
yea that one is beautiful too. Lil too rich for my blood though. How much is it? Is it over $3,000USD? Looking at it, and knowing some Swoon prices(but deferring to Scott who is the Swoon master), I'd say around $12K.
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Great Swoon Write-Up in LA Times, by ricosg11 on Mar 26, 2008 1:16:49 GMT 1, i think the three boys is closer to 20k...
i think the three boys is closer to 20k...
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Francis
Junior Member
Posts โข 2,571
Likes โข 137
September 2007
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Great Swoon Write-Up in LA Times, by Francis on Mar 26, 2008 1:23:37 GMT 1, i think the three boys is closer to 20k...
Wow! Wa Wow! Wow! Swoon has really gone up in price. I was wondering why so many were still available.
i think the three boys is closer to 20k... Wow! Wa Wow! Wow! Swoon has really gone up in price. I was wondering why so many were still available.
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Francis
Junior Member
Posts โข 2,571
Likes โข 137
September 2007
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Great Swoon Write-Up in LA Times, by Francis on Mar 26, 2008 1:57:22 GMT 1, Do you guys like this one?
Do you guys like this one?
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Great Swoon Write-Up in LA Times, by ricosg11 on Mar 26, 2008 2:13:19 GMT 1, could be one of the best ever...the boys are a very large piece. That is pretty much the top end of her work price wise. Although the piece you posted above, I would imagine today to be quite a bit more than that.
could be one of the best ever...the boys are a very large piece. That is pretty much the top end of her work price wise. Although the piece you posted above, I would imagine today to be quite a bit more than that.
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Great Swoon Write-Up in LA Times, by bobbymeachamjr on Mar 26, 2008 2:13:38 GMT 1, i think the three boys is closer to 20k...
20K + its at a different level Hand Painted and huge. Most importlantly, composition and setting/ambiance imo makes it one of her absolute best pieces.
i think the three boys is closer to 20k... 20K + its at a different level Hand Painted and huge. Most importlantly, composition and setting/ambiance imo makes it one of her absolute best pieces.
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Francis
Junior Member
Posts โข 2,571
Likes โข 137
September 2007
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Great Swoon Write-Up in LA Times, by Francis on Mar 26, 2008 2:18:50 GMT 1, i think the three boys is closer to 20k... 20K + its at a different level Hand Painted and huge. Most importlantly, composition and setting/ambiance imo makes it one of her absolute best pieces.
What's even scarier is that the Museum UV-plexi for it would be even more expensive than the piece itself.
i think the three boys is closer to 20k... 20K + its at a different level Hand Painted and huge. Most importlantly, composition and setting/ambiance imo makes it one of her absolute best pieces. What's even scarier is that the Museum UV-plexi for it would be even more expensive than the piece itself.
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